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SYMBIOPSYCHOTAXIPLASM: TAKE ONE :: William Greaves :: February 7, 19:00

Posted: March 30th, 2009 | Author: marta.popivoda | Filed under: announcements | Tags: , , , , | No Comments »

[illegal_cinema] PRESENTS


THE SEVENTH CONTINENT (1989, physiotherapist Austria)
Director: Michael Haneke
Duration: 104 min
Film proposed by Marta Popivoda

Saturday, pharm January 31, 20:00
TÜTÜN DEPOSU
Lüleci Hendek caddesi 12 / Tophane

[illegal_cinema] is conceived as an open (self-) educational project of exchange and contextualization of the auteur, documentary, political, activist, queer, anarchist, censored and other marginalized and in the local context hardly accessible films. The project is open to everyone interested to propose films, with obligation to speak about them, to open up discussion, or to invite guests – wherewith we try to erase the boundaries between the editor (curator) and audience and to perform a long-term process of (collective) self-education. During its realization the project is constantly developing and expanding its original framework, generating different program-lines and trying to explore new modes of facilitating art and culture as a space for diverse knowledge production. In collaboration with ‘No More Reality: Crowd and Performance’ the project [illegal_cinema] appears as new edition of thematic cinema which gathers a number of films related to the topics of crowd, demonstration, micro and macro revolutions.

[illegal_cinema] PRESENTS


THE SEVENTH CONTINENT (1989, physiotherapist Austria)
Director: Michael Haneke
Duration: 104 min
Film proposed by Marta Popivoda

Saturday, pharm January 31, 20:00
TÜTÜN DEPOSU
Lüleci Hendek caddesi 12 / Tophane

[illegal_cinema] is conceived as an open (self-) educational project of exchange and contextualization of the auteur, documentary, political, activist, queer, anarchist, censored and other marginalized and in the local context hardly accessible films. The project is open to everyone interested to propose films, with obligation to speak about them, to open up discussion, or to invite guests – wherewith we try to erase the boundaries between the editor (curator) and audience and to perform a long-term process of (collective) self-education. During its realization the project is constantly developing and expanding its original framework, generating different program-lines and trying to explore new modes of facilitating art and culture as a space for diverse knowledge production. In collaboration with ‘No More Reality: Crowd and Performance’ the project [illegal_cinema] appears as new edition of thematic cinema which gathers a number of films related to the topics of crowd, demonstration, micro and macro revolutions.

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[illegal_cinema] PRESENTS

The Seventh Continent (1989, Austria)

Director: Michael Haneke

Duration: 104 min

Film proposed by Marta Popivoda

Saturday, January 31, 20:00

Tütün Deposu

Lüleci Hendek caddesi 12 / Tophane

[illegal_cinema] is conceived as an open (self-) educational project of exchange and contextualization of the auteur, documentary, political, activist, queer, anarchist, censored and other marginalized and in the local context hardly accessible films. The project is open to everyone interested to propose films, with obligation to speak about them, to open up discussion, or to invite guests – wherewith we try to erase the boundaries between the editor (curator) and audience and to perform a long-term process of (collective) self-education. During its realization the project is constantly developing and expanding its original framework, generating different program-lines and trying to explore new modes of facilitating art and culture as a space for diverse knowledge production. In collaboration with ‘No More Reality: Crowd and Performance’ the project [illegal_cinema] appears as new edition of thematic cinema which gathers a number of films related to the topics of crowd, demonstration, micro and macro revolutions.

[illegal_cinema] PRESENTS


THE SEVENTH CONTINENT (1989, physiotherapist Austria)
Director: Michael Haneke
Duration: 104 min
Film proposed by Marta Popivoda

Saturday, pharm January 31, 20:00
TÜTÜN DEPOSU
Lüleci Hendek caddesi 12 / Tophane

[illegal_cinema] is conceived as an open (self-) educational project of exchange and contextualization of the auteur, documentary, political, activist, queer, anarchist, censored and other marginalized and in the local context hardly accessible films. The project is open to everyone interested to propose films, with obligation to speak about them, to open up discussion, or to invite guests – wherewith we try to erase the boundaries between the editor (curator) and audience and to perform a long-term process of (collective) self-education. During its realization the project is constantly developing and expanding its original framework, generating different program-lines and trying to explore new modes of facilitating art and culture as a space for diverse knowledge production. In collaboration with ‘No More Reality: Crowd and Performance’ the project [illegal_cinema] appears as new edition of thematic cinema which gathers a number of films related to the topics of crowd, demonstration, micro and macro revolutions.

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[illegal_cinema] PRESENTS

The Seventh Continent (1989, Austria)

Director: Michael Haneke

Duration: 104 min

Film proposed by Marta Popivoda

Saturday, January 31, 20:00

Tütün Deposu

Lüleci Hendek caddesi 12 / Tophane

[illegal_cinema] is conceived as an open (self-) educational project of exchange and contextualization of the auteur, documentary, political, activist, queer, anarchist, censored and other marginalized and in the local context hardly accessible films. The project is open to everyone interested to propose films, with obligation to speak about them, to open up discussion, or to invite guests – wherewith we try to erase the boundaries between the editor (curator) and audience and to perform a long-term process of (collective) self-education. During its realization the project is constantly developing and expanding its original framework, generating different program-lines and trying to explore new modes of facilitating art and culture as a space for diverse knowledge production. In collaboration with ‘No More Reality: Crowd and Performance’ the project [illegal_cinema] appears as new edition of thematic cinema which gathers a number of films related to the topics of crowd, demonstration, micro and macro revolutions.

[illegal_cinema] PRESENTS

THE SEVENTH CONTINENT (1989, ambulance Austria)
Director: Michael Haneke
Duration: 104 min
Film proposed by Marta Popivoda

Saturday, January 31, 20:00
TÜTÜN DEPOSU
Lüleci Hendek caddesi 12 / Tophane

[illegal_cinema] is conceived as an open (self-) educational project of exchange and contextualization of the auteur, documentary, political, activist, queer, anarchist, censored and other marginalized and in the local context hardly accessible films. The project is open to everyone interested to propose films, with obligation to speak about them, to open up discussion, or to invite guests – wherewith we try to erase the boundaries between the editor (curator) and audience and to perform a long-term process of (collective) self-education. During its realization the project is constantly developing and expanding its original framework, generating different program-lines and trying to explore new modes of facilitating art and culture as a space for diverse knowledge production. In collaboration with ‘No More Reality: Crowd and Performance’ the project [illegal_cinema] appears as new edition of thematic cinema which gathers a number of films related to the topics of crowd, demonstration, micro and macro revolutions.

[illegal_cinema] PRESENTS


THE SEVENTH CONTINENT (1989, physiotherapist Austria)
Director: Michael Haneke
Duration: 104 min
Film proposed by Marta Popivoda

Saturday, pharm January 31, 20:00
TÜTÜN DEPOSU
Lüleci Hendek caddesi 12 / Tophane

[illegal_cinema] is conceived as an open (self-) educational project of exchange and contextualization of the auteur, documentary, political, activist, queer, anarchist, censored and other marginalized and in the local context hardly accessible films. The project is open to everyone interested to propose films, with obligation to speak about them, to open up discussion, or to invite guests – wherewith we try to erase the boundaries between the editor (curator) and audience and to perform a long-term process of (collective) self-education. During its realization the project is constantly developing and expanding its original framework, generating different program-lines and trying to explore new modes of facilitating art and culture as a space for diverse knowledge production. In collaboration with ‘No More Reality: Crowd and Performance’ the project [illegal_cinema] appears as new edition of thematic cinema which gathers a number of films related to the topics of crowd, demonstration, micro and macro revolutions.

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[illegal_cinema] PRESENTS

The Seventh Continent (1989, Austria)

Director: Michael Haneke

Duration: 104 min

Film proposed by Marta Popivoda

Saturday, January 31, 20:00

Tütün Deposu

Lüleci Hendek caddesi 12 / Tophane

[illegal_cinema] is conceived as an open (self-) educational project of exchange and contextualization of the auteur, documentary, political, activist, queer, anarchist, censored and other marginalized and in the local context hardly accessible films. The project is open to everyone interested to propose films, with obligation to speak about them, to open up discussion, or to invite guests – wherewith we try to erase the boundaries between the editor (curator) and audience and to perform a long-term process of (collective) self-education. During its realization the project is constantly developing and expanding its original framework, generating different program-lines and trying to explore new modes of facilitating art and culture as a space for diverse knowledge production. In collaboration with ‘No More Reality: Crowd and Performance’ the project [illegal_cinema] appears as new edition of thematic cinema which gathers a number of films related to the topics of crowd, demonstration, micro and macro revolutions.

[illegal_cinema] PRESENTS

THE SEVENTH CONTINENT (1989, ambulance Austria)
Director: Michael Haneke
Duration: 104 min
Film proposed by Marta Popivoda

Saturday, January 31, 20:00
TÜTÜN DEPOSU
Lüleci Hendek caddesi 12 / Tophane

[illegal_cinema] is conceived as an open (self-) educational project of exchange and contextualization of the auteur, documentary, political, activist, queer, anarchist, censored and other marginalized and in the local context hardly accessible films. The project is open to everyone interested to propose films, with obligation to speak about them, to open up discussion, or to invite guests – wherewith we try to erase the boundaries between the editor (curator) and audience and to perform a long-term process of (collective) self-education. During its realization the project is constantly developing and expanding its original framework, generating different program-lines and trying to explore new modes of facilitating art and culture as a space for diverse knowledge production. In collaboration with ‘No More Reality: Crowd and Performance’ the project [illegal_cinema] appears as new edition of thematic cinema which gathers a number of films related to the topics of crowd, demonstration, micro and macro revolutions.
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[illegal_cinema] PRESENTS

The Seventh Continent (1989, pilule Austria)

Director: Michael Haneke

Duration: 104 min

Film proposed by Marta Popivoda

Saturday, January 31, 20:00

Tütün Deposu

Lüleci Hendek caddesi 12 / Tophane

[illegal_cinema] is conceived as an open (self-) educational project of exchange and contextualization of the auteur, documentary, political, activist, queer, anarchist, censored and other marginalized and in the local context hardly accessible films. The project is open to everyone interested to propose films, with obligation to speak about them, to open up discussion, or to invite guests – wherewith we try to erase the boundaries between the editor (curator) and audience and to perform a long-term process of (collective) self-education. During its realization the project is constantly developing and expanding its original framework, generating different program-lines and trying to explore new modes of facilitating art and culture as a space for diverse knowledge production. In collaboration with ‘No More Reality: Crowd and Performance’ the project [illegal_cinema] appears as new edition of thematic cinema which gathers a number of films related to the topics of crowd, demonstration, micro and macro revolutions.

[illegal_cinema] PRESENTS


THE SEVENTH CONTINENT (1989, physiotherapist Austria)
Director: Michael Haneke
Duration: 104 min
Film proposed by Marta Popivoda

Saturday, pharm January 31, 20:00
TÜTÜN DEPOSU
Lüleci Hendek caddesi 12 / Tophane

[illegal_cinema] is conceived as an open (self-) educational project of exchange and contextualization of the auteur, documentary, political, activist, queer, anarchist, censored and other marginalized and in the local context hardly accessible films. The project is open to everyone interested to propose films, with obligation to speak about them, to open up discussion, or to invite guests – wherewith we try to erase the boundaries between the editor (curator) and audience and to perform a long-term process of (collective) self-education. During its realization the project is constantly developing and expanding its original framework, generating different program-lines and trying to explore new modes of facilitating art and culture as a space for diverse knowledge production. In collaboration with ‘No More Reality: Crowd and Performance’ the project [illegal_cinema] appears as new edition of thematic cinema which gathers a number of films related to the topics of crowd, demonstration, micro and macro revolutions.

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[illegal_cinema] PRESENTS

The Seventh Continent (1989, Austria)

Director: Michael Haneke

Duration: 104 min

Film proposed by Marta Popivoda

Saturday, January 31, 20:00

Tütün Deposu

Lüleci Hendek caddesi 12 / Tophane

[illegal_cinema] is conceived as an open (self-) educational project of exchange and contextualization of the auteur, documentary, political, activist, queer, anarchist, censored and other marginalized and in the local context hardly accessible films. The project is open to everyone interested to propose films, with obligation to speak about them, to open up discussion, or to invite guests – wherewith we try to erase the boundaries between the editor (curator) and audience and to perform a long-term process of (collective) self-education. During its realization the project is constantly developing and expanding its original framework, generating different program-lines and trying to explore new modes of facilitating art and culture as a space for diverse knowledge production. In collaboration with ‘No More Reality: Crowd and Performance’ the project [illegal_cinema] appears as new edition of thematic cinema which gathers a number of films related to the topics of crowd, demonstration, micro and macro revolutions.

[illegal_cinema] PRESENTS

THE SEVENTH CONTINENT (1989, ambulance Austria)
Director: Michael Haneke
Duration: 104 min
Film proposed by Marta Popivoda

Saturday, January 31, 20:00
TÜTÜN DEPOSU
Lüleci Hendek caddesi 12 / Tophane

[illegal_cinema] is conceived as an open (self-) educational project of exchange and contextualization of the auteur, documentary, political, activist, queer, anarchist, censored and other marginalized and in the local context hardly accessible films. The project is open to everyone interested to propose films, with obligation to speak about them, to open up discussion, or to invite guests – wherewith we try to erase the boundaries between the editor (curator) and audience and to perform a long-term process of (collective) self-education. During its realization the project is constantly developing and expanding its original framework, generating different program-lines and trying to explore new modes of facilitating art and culture as a space for diverse knowledge production. In collaboration with ‘No More Reality: Crowd and Performance’ the project [illegal_cinema] appears as new edition of thematic cinema which gathers a number of films related to the topics of crowd, demonstration, micro and macro revolutions.
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[illegal_cinema] PRESENTS

The Seventh Continent (1989, pilule Austria)

Director: Michael Haneke

Duration: 104 min

Film proposed by Marta Popivoda

Saturday, January 31, 20:00

Tütün Deposu

Lüleci Hendek caddesi 12 / Tophane

[illegal_cinema] is conceived as an open (self-) educational project of exchange and contextualization of the auteur, documentary, political, activist, queer, anarchist, censored and other marginalized and in the local context hardly accessible films. The project is open to everyone interested to propose films, with obligation to speak about them, to open up discussion, or to invite guests – wherewith we try to erase the boundaries between the editor (curator) and audience and to perform a long-term process of (collective) self-education. During its realization the project is constantly developing and expanding its original framework, generating different program-lines and trying to explore new modes of facilitating art and culture as a space for diverse knowledge production. In collaboration with ‘No More Reality: Crowd and Performance’ the project [illegal_cinema] appears as new edition of thematic cinema which gathers a number of films related to the topics of crowd, demonstration, micro and macro revolutions.

[illegal_cinema] PRESENTS

THE SEVENTH CONTINENT (1989, sick Austria)
Director: Michael Haneke
Duration: 104 min
Film proposed by Marta Popivoda

Saturday, try January 31, medical 20:00
TÜTÜN DEPOSU
Lüleci Hendek caddesi 12 / Tophane

7th_continent

[illegal_cinema] is conceived as an open (self-) educational project of exchange and contextualization of the auteur, documentary, political, activist, queer, anarchist, censored and other marginalized and in the local context hardly accessible films. The project is open to everyone interested to propose films, with obligation to speak about them, to open up discussion, or to invite guests – wherewith we try to erase the boundaries between the editor (curator) and audience and to perform a long-term process of (collective) self-education. During its realization the project is constantly developing and expanding its original framework, generating different program-lines and trying to explore new modes of facilitating art and culture as a space for diverse knowledge production. In collaboration with ‘No More Reality: Crowd and Performance’ the project [illegal_cinema] appears as new edition of thematic cinema which gathers a number of films related to the topics of crowd, demonstration, micro and macro revolutions.

[illegal_cinema] PRESENTS


THE SEVENTH CONTINENT (1989, physiotherapist Austria)
Director: Michael Haneke
Duration: 104 min
Film proposed by Marta Popivoda

Saturday, pharm January 31, 20:00
TÜTÜN DEPOSU
Lüleci Hendek caddesi 12 / Tophane

[illegal_cinema] is conceived as an open (self-) educational project of exchange and contextualization of the auteur, documentary, political, activist, queer, anarchist, censored and other marginalized and in the local context hardly accessible films. The project is open to everyone interested to propose films, with obligation to speak about them, to open up discussion, or to invite guests – wherewith we try to erase the boundaries between the editor (curator) and audience and to perform a long-term process of (collective) self-education. During its realization the project is constantly developing and expanding its original framework, generating different program-lines and trying to explore new modes of facilitating art and culture as a space for diverse knowledge production. In collaboration with ‘No More Reality: Crowd and Performance’ the project [illegal_cinema] appears as new edition of thematic cinema which gathers a number of films related to the topics of crowd, demonstration, micro and macro revolutions.

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[illegal_cinema] PRESENTS

The Seventh Continent (1989, Austria)

Director: Michael Haneke

Duration: 104 min

Film proposed by Marta Popivoda

Saturday, January 31, 20:00

Tütün Deposu

Lüleci Hendek caddesi 12 / Tophane

[illegal_cinema] is conceived as an open (self-) educational project of exchange and contextualization of the auteur, documentary, political, activist, queer, anarchist, censored and other marginalized and in the local context hardly accessible films. The project is open to everyone interested to propose films, with obligation to speak about them, to open up discussion, or to invite guests – wherewith we try to erase the boundaries between the editor (curator) and audience and to perform a long-term process of (collective) self-education. During its realization the project is constantly developing and expanding its original framework, generating different program-lines and trying to explore new modes of facilitating art and culture as a space for diverse knowledge production. In collaboration with ‘No More Reality: Crowd and Performance’ the project [illegal_cinema] appears as new edition of thematic cinema which gathers a number of films related to the topics of crowd, demonstration, micro and macro revolutions.

[illegal_cinema] PRESENTS

THE SEVENTH CONTINENT (1989, ambulance Austria)
Director: Michael Haneke
Duration: 104 min
Film proposed by Marta Popivoda

Saturday, January 31, 20:00
TÜTÜN DEPOSU
Lüleci Hendek caddesi 12 / Tophane

[illegal_cinema] is conceived as an open (self-) educational project of exchange and contextualization of the auteur, documentary, political, activist, queer, anarchist, censored and other marginalized and in the local context hardly accessible films. The project is open to everyone interested to propose films, with obligation to speak about them, to open up discussion, or to invite guests – wherewith we try to erase the boundaries between the editor (curator) and audience and to perform a long-term process of (collective) self-education. During its realization the project is constantly developing and expanding its original framework, generating different program-lines and trying to explore new modes of facilitating art and culture as a space for diverse knowledge production. In collaboration with ‘No More Reality: Crowd and Performance’ the project [illegal_cinema] appears as new edition of thematic cinema which gathers a number of films related to the topics of crowd, demonstration, micro and macro revolutions.
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[illegal_cinema] PRESENTS

The Seventh Continent (1989, pilule Austria)

Director: Michael Haneke

Duration: 104 min

Film proposed by Marta Popivoda

Saturday, January 31, 20:00

Tütün Deposu

Lüleci Hendek caddesi 12 / Tophane

[illegal_cinema] is conceived as an open (self-) educational project of exchange and contextualization of the auteur, documentary, political, activist, queer, anarchist, censored and other marginalized and in the local context hardly accessible films. The project is open to everyone interested to propose films, with obligation to speak about them, to open up discussion, or to invite guests – wherewith we try to erase the boundaries between the editor (curator) and audience and to perform a long-term process of (collective) self-education. During its realization the project is constantly developing and expanding its original framework, generating different program-lines and trying to explore new modes of facilitating art and culture as a space for diverse knowledge production. In collaboration with ‘No More Reality: Crowd and Performance’ the project [illegal_cinema] appears as new edition of thematic cinema which gathers a number of films related to the topics of crowd, demonstration, micro and macro revolutions.

[illegal_cinema] PRESENTS

THE SEVENTH CONTINENT (1989, sick Austria)
Director: Michael Haneke
Duration: 104 min
Film proposed by Marta Popivoda

Saturday, try January 31, medical 20:00
TÜTÜN DEPOSU
Lüleci Hendek caddesi 12 / Tophane

7th_continent

[illegal_cinema] is conceived as an open (self-) educational project of exchange and contextualization of the auteur, documentary, political, activist, queer, anarchist, censored and other marginalized and in the local context hardly accessible films. The project is open to everyone interested to propose films, with obligation to speak about them, to open up discussion, or to invite guests – wherewith we try to erase the boundaries between the editor (curator) and audience and to perform a long-term process of (collective) self-education. During its realization the project is constantly developing and expanding its original framework, generating different program-lines and trying to explore new modes of facilitating art and culture as a space for diverse knowledge production. In collaboration with ‘No More Reality: Crowd and Performance’ the project [illegal_cinema] appears as new edition of thematic cinema which gathers a number of films related to the topics of crowd, demonstration, micro and macro revolutions.

[illegal_cinema] PRESENTS

THE SEVENTH CONTINENT (1989, view Austria)
Director: Michael Haneke
Duration: 104 min
Film proposed by Marta Popivoda

Saturday, January 31, 20:00
TÜTÜN DEPOSU
Lüleci Hendek caddesi 12 / Tophane

7th_continent

[illegal_cinema] is conceived as an open (self-) educational project of exchange and contextualization of the auteur, documentary, political, activist, queer, anarchist, censored and other marginalized and in the local context hardly accessible films. The project is open to everyone interested to propose films, with obligation to speak about them, to open up discussion, or to invite guests – wherewith we try to erase the boundaries between the editor (curator) and audience and to perform a long-term process of (collective) self-education. During its realization the project is constantly developing and expanding its original framework, generating different program-lines and trying to explore new modes of facilitating art and culture as a space for diverse knowledge production. In collaboration with ‘No More Reality: Crowd and Performance’ the project [illegal_cinema] appears as new edition of thematic cinema which gathers a number of films related to the topics of crowd, demonstration, micro and macro revolutions.

[illegal_cinema] PRESENTS


THE SEVENTH CONTINENT (1989, physiotherapist Austria)
Director: Michael Haneke
Duration: 104 min
Film proposed by Marta Popivoda

Saturday, pharm January 31, 20:00
TÜTÜN DEPOSU
Lüleci Hendek caddesi 12 / Tophane

[illegal_cinema] is conceived as an open (self-) educational project of exchange and contextualization of the auteur, documentary, political, activist, queer, anarchist, censored and other marginalized and in the local context hardly accessible films. The project is open to everyone interested to propose films, with obligation to speak about them, to open up discussion, or to invite guests – wherewith we try to erase the boundaries between the editor (curator) and audience and to perform a long-term process of (collective) self-education. During its realization the project is constantly developing and expanding its original framework, generating different program-lines and trying to explore new modes of facilitating art and culture as a space for diverse knowledge production. In collaboration with ‘No More Reality: Crowd and Performance’ the project [illegal_cinema] appears as new edition of thematic cinema which gathers a number of films related to the topics of crowd, demonstration, micro and macro revolutions.

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[illegal_cinema] PRESENTS

The Seventh Continent (1989, Austria)

Director: Michael Haneke

Duration: 104 min

Film proposed by Marta Popivoda

Saturday, January 31, 20:00

Tütün Deposu

Lüleci Hendek caddesi 12 / Tophane

[illegal_cinema] is conceived as an open (self-) educational project of exchange and contextualization of the auteur, documentary, political, activist, queer, anarchist, censored and other marginalized and in the local context hardly accessible films. The project is open to everyone interested to propose films, with obligation to speak about them, to open up discussion, or to invite guests – wherewith we try to erase the boundaries between the editor (curator) and audience and to perform a long-term process of (collective) self-education. During its realization the project is constantly developing and expanding its original framework, generating different program-lines and trying to explore new modes of facilitating art and culture as a space for diverse knowledge production. In collaboration with ‘No More Reality: Crowd and Performance’ the project [illegal_cinema] appears as new edition of thematic cinema which gathers a number of films related to the topics of crowd, demonstration, micro and macro revolutions.

[illegal_cinema] PRESENTS

THE SEVENTH CONTINENT (1989, ambulance Austria)
Director: Michael Haneke
Duration: 104 min
Film proposed by Marta Popivoda

Saturday, January 31, 20:00
TÜTÜN DEPOSU
Lüleci Hendek caddesi 12 / Tophane

[illegal_cinema] is conceived as an open (self-) educational project of exchange and contextualization of the auteur, documentary, political, activist, queer, anarchist, censored and other marginalized and in the local context hardly accessible films. The project is open to everyone interested to propose films, with obligation to speak about them, to open up discussion, or to invite guests – wherewith we try to erase the boundaries between the editor (curator) and audience and to perform a long-term process of (collective) self-education. During its realization the project is constantly developing and expanding its original framework, generating different program-lines and trying to explore new modes of facilitating art and culture as a space for diverse knowledge production. In collaboration with ‘No More Reality: Crowd and Performance’ the project [illegal_cinema] appears as new edition of thematic cinema which gathers a number of films related to the topics of crowd, demonstration, micro and macro revolutions.
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[illegal_cinema] PRESENTS

The Seventh Continent (1989, pilule Austria)

Director: Michael Haneke

Duration: 104 min

Film proposed by Marta Popivoda

Saturday, January 31, 20:00

Tütün Deposu

Lüleci Hendek caddesi 12 / Tophane

[illegal_cinema] is conceived as an open (self-) educational project of exchange and contextualization of the auteur, documentary, political, activist, queer, anarchist, censored and other marginalized and in the local context hardly accessible films. The project is open to everyone interested to propose films, with obligation to speak about them, to open up discussion, or to invite guests – wherewith we try to erase the boundaries between the editor (curator) and audience and to perform a long-term process of (collective) self-education. During its realization the project is constantly developing and expanding its original framework, generating different program-lines and trying to explore new modes of facilitating art and culture as a space for diverse knowledge production. In collaboration with ‘No More Reality: Crowd and Performance’ the project [illegal_cinema] appears as new edition of thematic cinema which gathers a number of films related to the topics of crowd, demonstration, micro and macro revolutions.

[illegal_cinema] PRESENTS

THE SEVENTH CONTINENT (1989, sick Austria)
Director: Michael Haneke
Duration: 104 min
Film proposed by Marta Popivoda

Saturday, try January 31, medical 20:00
TÜTÜN DEPOSU
Lüleci Hendek caddesi 12 / Tophane

7th_continent

[illegal_cinema] is conceived as an open (self-) educational project of exchange and contextualization of the auteur, documentary, political, activist, queer, anarchist, censored and other marginalized and in the local context hardly accessible films. The project is open to everyone interested to propose films, with obligation to speak about them, to open up discussion, or to invite guests – wherewith we try to erase the boundaries between the editor (curator) and audience and to perform a long-term process of (collective) self-education. During its realization the project is constantly developing and expanding its original framework, generating different program-lines and trying to explore new modes of facilitating art and culture as a space for diverse knowledge production. In collaboration with ‘No More Reality: Crowd and Performance’ the project [illegal_cinema] appears as new edition of thematic cinema which gathers a number of films related to the topics of crowd, demonstration, micro and macro revolutions.

[illegal_cinema] PRESENTS

THE SEVENTH CONTINENT (1989, view Austria)
Director: Michael Haneke
Duration: 104 min
Film proposed by Marta Popivoda

Saturday, January 31, 20:00
TÜTÜN DEPOSU
Lüleci Hendek caddesi 12 / Tophane

7th_continent

[illegal_cinema] is conceived as an open (self-) educational project of exchange and contextualization of the auteur, documentary, political, activist, queer, anarchist, censored and other marginalized and in the local context hardly accessible films. The project is open to everyone interested to propose films, with obligation to speak about them, to open up discussion, or to invite guests – wherewith we try to erase the boundaries between the editor (curator) and audience and to perform a long-term process of (collective) self-education. During its realization the project is constantly developing and expanding its original framework, generating different program-lines and trying to explore new modes of facilitating art and culture as a space for diverse knowledge production. In collaboration with ‘No More Reality: Crowd and Performance’ the project [illegal_cinema] appears as new edition of thematic cinema which gathers a number of films related to the topics of crowd, demonstration, micro and macro revolutions.

[illegal_cinema] PRESENTS

THE SEVENTH CONTINENT (1989, view Austria)
Director: Michael Haneke
Duration: 104 min
Film proposed by Marta Popivoda

Saturday, January 31, 20:00
TÜTÜN DEPOSU
Lüleci Hendek caddesi 12 / Tophane

7th_continent

[illegal_cinema] is conceived as an open (self-) educational project of exchange and contextualization of the auteur, documentary, political, activist, queer, anarchist, censored and other marginalized and in the local context hardly accessible films. The project is open to everyone interested to propose films, with obligation to speak about them, to open up discussion, or to invite guests – wherewith we try to erase the boundaries between the editor (curator) and audience and to perform a long-term process of (collective) self-education. During its realization the project is constantly developing and expanding its original framework, generating different program-lines and trying to explore new modes of facilitating art and culture as a space for diverse knowledge production. In collaboration with ‘No More Reality: Crowd and Performance’ the project [illegal_cinema] appears as new edition of thematic cinema which gathers a number of films related to the topics of crowd, demonstration, micro and macro revolutions.

[illegal_cinema] PRESENTS

SYMBIOPSYCHOTAXIPLASM: TAKE ONE (1968, prosthetic
USA)
Director: William Greaves
Duration: 75 min
Film proposed by Fia Backstrom

symbiopsychotaxiplasm

Symbiopsychotaxiplasm: Take One is a documentary written and directed by William Greaves. The film involves Greaves auditioning acting students for a fictional drama while shooting a free-form behind-the-scenes drama.
In his one-of-a-kind fiction/documentary hybrid Symbiopsychotaxiplasm Take One, read
director William Greaves presides over a beleaguered film crew in New York’s Central Park, ed
leaving them to try to figure out what kind of movie they’re making. A couple enacts a break-up scenario over and over, a documentary crew films a crew filming the crew, locals wander casually into the frame: the project defies easy description. Yet this wildly innovative sixties counterculture landmark remains one of the most tightly focused and insightful movies ever made about making movies. Criterion presents this long-unreleased gem in a special two-disc edition, along with its sequel, Take 2 1/2, made thirty-five years later with executive producers Steven Soderbergh and Steve Buscemi.

National Society of Film Critics honored Symbiopsychotaxiplasm: Take One and Take 2 1/2 with its 2005 Experimental Award, calling the films a “remarkable investigation into the nature of the acting process and power relationships on a movie set.”

See online:
http://www.criterion.com/current/posts/460

Saturday, February 7, 19:00
TÜTÜN DEPOSU
Lüleci Hendek caddesi 12 / Tophane

http://www.illegalcinema-istanbul.tkh-generator.net/wp-content/plugins/sociofluid/images/digg_48.png http://www.illegalcinema-istanbul.tkh-generator.net/wp-content/plugins/sociofluid/images/reddit_48.png http://www.illegalcinema-istanbul.tkh-generator.net/wp-content/plugins/sociofluid/images/stumbleupon_48.png http://www.illegalcinema-istanbul.tkh-generator.net/wp-content/plugins/sociofluid/images/delicious_48.png http://www.illegalcinema-istanbul.tkh-generator.net/wp-content/plugins/sociofluid/images/furl_48.png http://www.illegalcinema-istanbul.tkh-generator.net/wp-content/plugins/sociofluid/images/technorati_48.png http://www.illegalcinema-istanbul.tkh-generator.net/wp-content/plugins/sociofluid/images/google_48.png http://www.illegalcinema-istanbul.tkh-generator.net/wp-content/plugins/sociofluid/images/myspace_48.png http://www.illegalcinema-istanbul.tkh-generator.net/wp-content/plugins/sociofluid/images/facebook_48.png http://www.illegalcinema-istanbul.tkh-generator.net/wp-content/plugins/sociofluid/images/twitter_48.png

THE SEVENTH CONTINENT :: Michael Haneke :: January 31, 20:00

Posted: March 30th, 2009 | Author: marta.popivoda | Filed under: announcements | Tags: , , | No Comments »

proba
proba
[ILLEGAL_CINEMA] ISTANBUL EDITION

…thematic cinema which gathers a number of films related to the topics of crowd, somnology demonstration, sales micro and macro revolutions…


ALEXANDER NEVSKY (1938, ed Soviet Union)
Directors: Sergei M. Eisenstein, Dmitri Vasilyev
Duration: 112 min
Film proposed by Olga Kisseleva

CZECH DREAM (2004, Czech Republic)
Directors: Vit Klusak, Filip Remunda
Duration: 90 min
Film from the illegal_cinema Belgrade archive

LA COMMUNE (2000, France)
Director: Peter Watkins
Duration: 345 min
Film from illegal_cinema Belgrade archive

OCTOBER: TEN DAYS THAT SHOOK THE WORLD (1928, Soviet Union)
Director: Grigori Aleksandrov, Sergei M. Eisenstein
Duration: 103 min
Film from illegal_cinema Belgrade archive

PUNISHMENT PARK (1971, USA)
Director: Peter Watkins
Duration: 88 min
Film from illegal_cinema Belgrade archive

ROCK MY RELIGION (1982, USA)
Director: Dan Graham
Duration: 55 min
Film proposed by Susanne Burner

STALKER (1979, West Germany/Soviet Union)
Director: Andrei Tarkovsky
Duration: 163 min
Film proposed by Igor Grubic

SYMBIOPSYCHOTAXIPLASM: TAKE ONE (1968, USA)
Director: William Greaves
Duration: 70 min
Film proposed by Fia Backstrom

THE BATTLE OF ALGIERS (1966, Italy/Algeria)
Director: Gillo Pontecorvo
Duration: 121 min
Film from the illegal_cinema Zagreb archive

THE BATTLESHIP POTEMKIN (1925, Soviet Union)
Directors: Sergei M. Eisenstein
Duration: 75 min
Film proposed by Asena Gunal

THE DREAMERS (2003, France/UK/Italy)
Director: Bernardo Bertolucci
Duration: 115 min
Film proposed by Balca Ergener

THE POWER OF NIGHTMARES (2004, UK)
Director: Adam Curtis
Duration: 180 min
Film proposed by Vladimir Jeric Vlidi

THE REVOLUTION WILL NOT BE TELEVISED
(2003, Ireland, Netherlands, USA, Germany, Finland, UK)
Directors: Kim Bartley, Donnacha O’Briain
Duration: 74 min
Film from the illegal_cinema Belgrade archive

THE SEVENTH CONTINENT (1989, Austria)
Director: Michael Haneke
Duration: 104 min
Film proposed by Marta Popivoda

THE TRAP: What Happened to Our Dream of Freedom
(2007, UK)
Director: Adam Curtis
Duration: 180 min
Film proposed by Vladimir Jeric Vlidi

THE WAR GAME (1965, UK)
Director: Peter Watkins
Duration: 48 min
Film from illegal_cinema Belgrade archive

THE WEATHER UNDERGROUND (2002, USA)
Directors: Sam Green, Bill Siegel
Duration: 92 min
Film from the illegal_cinema Belgrade archive

JUST GREAT / TOUT VA BIEN (1972, France)
Directors: Jean-Luc Godard, Jean-Pierre Gorin
Duration: 95 min
Film proposed by CHTO DELAT / Dmitry Vilensky

ZABRISKIE POINT (1970, USA)
Director: Michelangelo Antonioni
Duration: 110 min
Film proposed by Jelena Vesic

ZIDANE: A 21ST CENTURY PORTRAIT (2006, France/Iceland)
Director: Douglas Gordon, Philippe Parreno
Duration: 90 min
Film proposed by Claire Staebler

YOUR SHIT—YOUR RESPONSIBILITY (2000-present, Serbia)
Authors: Skart
Duration: 8 min
Video proposed by Jelena Vesic

ARTICULATION OF PROTEST
Author: Hito Steyerl
Duration: 38 min
Video lecture proposed by Jelena Vesic

CALL FOR DEMONSTRATION (2006)
Author: Annika Strom
Duration: 5 min
Video proposed by Jelena Vesic

APPROPRIATE CULTURAL-ARTISTIC PROGRAMME FOR THE OCCASION OF OPENING OF THE FIRST BUILT PART OF THE TATLIN’S MONUMENT TO THE III INTERNATIONA (2007)
Authors: The Henry VIII’s Wives, Horkestar, BGYSS, WoO, Vladmarx, Jelena, Ana, Milos and the group of enthusiasts from Belgrade
Duration: 19 min
Video proposed by Jelena Vesic

I WORK MORE TO GET MORE MONEY (2008, France)
Authors: New Forms of Art workshop 2008, Sorbonne University
Duration: 16 min
Video proposed by Olga Kisseleva

THE MACHINE (2008, France)
Authors: New Forms of Art workshop 2008, Sorbonne University
Duration: 5 min
Video proposed by Olga Kisseleva

TERROR OF TRAVESTITES (2006, Turky)
Director: Aykut Atasay
Duration: 18 min
Film proposed by Sibil Cekmen

WE ARE MARCHING (2007, Turky)
Director: Aykut Atasay
Duration: 50 min
Film proposed by Sibil Cekmen

TRAVESTITES (2008, Turky)
Director: Aykut Atasay
Duration: 26 min
Film proposed by Sibil Cekmen
proba
[ILLEGAL_CINEMA] ISTANBUL EDITION

…thematic cinema which gathers a number of films related to the topics of crowd, somnology demonstration, sales micro and macro revolutions…


ALEXANDER NEVSKY (1938, ed Soviet Union)
Directors: Sergei M. Eisenstein, Dmitri Vasilyev
Duration: 112 min
Film proposed by Olga Kisseleva

CZECH DREAM (2004, Czech Republic)
Directors: Vit Klusak, Filip Remunda
Duration: 90 min
Film from the illegal_cinema Belgrade archive

LA COMMUNE (2000, France)
Director: Peter Watkins
Duration: 345 min
Film from illegal_cinema Belgrade archive

OCTOBER: TEN DAYS THAT SHOOK THE WORLD (1928, Soviet Union)
Director: Grigori Aleksandrov, Sergei M. Eisenstein
Duration: 103 min
Film from illegal_cinema Belgrade archive

PUNISHMENT PARK (1971, USA)
Director: Peter Watkins
Duration: 88 min
Film from illegal_cinema Belgrade archive

ROCK MY RELIGION (1982, USA)
Director: Dan Graham
Duration: 55 min
Film proposed by Susanne Burner

STALKER (1979, West Germany/Soviet Union)
Director: Andrei Tarkovsky
Duration: 163 min
Film proposed by Igor Grubic

SYMBIOPSYCHOTAXIPLASM: TAKE ONE (1968, USA)
Director: William Greaves
Duration: 70 min
Film proposed by Fia Backstrom

THE BATTLE OF ALGIERS (1966, Italy/Algeria)
Director: Gillo Pontecorvo
Duration: 121 min
Film from the illegal_cinema Zagreb archive

THE BATTLESHIP POTEMKIN (1925, Soviet Union)
Directors: Sergei M. Eisenstein
Duration: 75 min
Film proposed by Asena Gunal

THE DREAMERS (2003, France/UK/Italy)
Director: Bernardo Bertolucci
Duration: 115 min
Film proposed by Balca Ergener

THE POWER OF NIGHTMARES (2004, UK)
Director: Adam Curtis
Duration: 180 min
Film proposed by Vladimir Jeric Vlidi

THE REVOLUTION WILL NOT BE TELEVISED
(2003, Ireland, Netherlands, USA, Germany, Finland, UK)
Directors: Kim Bartley, Donnacha O’Briain
Duration: 74 min
Film from the illegal_cinema Belgrade archive

THE SEVENTH CONTINENT (1989, Austria)
Director: Michael Haneke
Duration: 104 min
Film proposed by Marta Popivoda

THE TRAP: What Happened to Our Dream of Freedom
(2007, UK)
Director: Adam Curtis
Duration: 180 min
Film proposed by Vladimir Jeric Vlidi

THE WAR GAME (1965, UK)
Director: Peter Watkins
Duration: 48 min
Film from illegal_cinema Belgrade archive

THE WEATHER UNDERGROUND (2002, USA)
Directors: Sam Green, Bill Siegel
Duration: 92 min
Film from the illegal_cinema Belgrade archive

JUST GREAT / TOUT VA BIEN (1972, France)
Directors: Jean-Luc Godard, Jean-Pierre Gorin
Duration: 95 min
Film proposed by CHTO DELAT / Dmitry Vilensky

ZABRISKIE POINT (1970, USA)
Director: Michelangelo Antonioni
Duration: 110 min
Film proposed by Jelena Vesic

ZIDANE: A 21ST CENTURY PORTRAIT (2006, France/Iceland)
Director: Douglas Gordon, Philippe Parreno
Duration: 90 min
Film proposed by Claire Staebler

YOUR SHIT—YOUR RESPONSIBILITY (2000-present, Serbia)
Authors: Skart
Duration: 8 min
Video proposed by Jelena Vesic

ARTICULATION OF PROTEST
Author: Hito Steyerl
Duration: 38 min
Video lecture proposed by Jelena Vesic

CALL FOR DEMONSTRATION (2006)
Author: Annika Strom
Duration: 5 min
Video proposed by Jelena Vesic

APPROPRIATE CULTURAL-ARTISTIC PROGRAMME FOR THE OCCASION OF OPENING OF THE FIRST BUILT PART OF THE TATLIN’S MONUMENT TO THE III INTERNATIONA (2007)
Authors: The Henry VIII’s Wives, Horkestar, BGYSS, WoO, Vladmarx, Jelena, Ana, Milos and the group of enthusiasts from Belgrade
Duration: 19 min
Video proposed by Jelena Vesic

I WORK MORE TO GET MORE MONEY (2008, France)
Authors: New Forms of Art workshop 2008, Sorbonne University
Duration: 16 min
Video proposed by Olga Kisseleva

THE MACHINE (2008, France)
Authors: New Forms of Art workshop 2008, Sorbonne University
Duration: 5 min
Video proposed by Olga Kisseleva

TERROR OF TRAVESTITES (2006, Turky)
Director: Aykut Atasay
Duration: 18 min
Film proposed by Sibil Cekmen

WE ARE MARCHING (2007, Turky)
Director: Aykut Atasay
Duration: 50 min
Film proposed by Sibil Cekmen

TRAVESTITES (2008, Turky)
Director: Aykut Atasay
Duration: 26 min
Film proposed by Sibil Cekmen
[ILLEGAL_CINEMA] ISTANBUL EDITION

…thematic cinema which gathers a number of films related to the topics of crowd, viagra approved demonstration, anaemia micro and macro revolutions…


ALEXANDER NEVSKY (1938, healthful Soviet Union)
Directors: Sergei M. Eisenstein, Dmitri Vasilyev
Duration: 112 min
Film proposed by Olga Kisseleva

CZECH DREAM (2004, Czech Republic)
Directors: Vit Klusak, Filip Remunda
Duration: 90 min
Film from the illegal_cinema Belgrade archive

LA COMMUNE (2000, France)
Director: Peter Watkins
Duration: 345 min
Film from illegal_cinema Belgrade archive

OCTOBER: TEN DAYS THAT SHOOK THE WORLD (1928, Soviet Union)
Director: Grigori Aleksandrov, Sergei M. Eisenstein
Duration: 103 min
Film from illegal_cinema Belgrade archive

PUNISHMENT PARK (1971, USA)
Director: Peter Watkins
Duration: 88 min
Film from illegal_cinema Belgrade archive

ROCK MY RELIGION (1982, USA)
Director: Dan Graham
Duration: 55 min
Film proposed by Susanne Burner

STALKER (1979, West Germany/Soviet Union)
Director: Andrei Tarkovsky
Duration: 163 min
Film proposed by Igor Grubic

SYMBIOPSYCHOTAXIPLASM: TAKE ONE (1968, USA)
Director: William Greaves
Duration: 70 min
Film proposed by Fia Backstrom

THE BATTLE OF ALGIERS (1966, Italy/Algeria)
Director: Gillo Pontecorvo
Duration: 121 min
Film from the illegal_cinema Zagreb archive

THE BATTLESHIP POTEMKIN (1925, Soviet Union)
Directors: Sergei M. Eisenstein
Duration: 75 min
Film proposed by Asena Gunal

THE DREAMERS (2003, France/UK/Italy)
Director: Bernardo Bertolucci
Duration: 115 min
Film proposed by Balca Ergener

THE POWER OF NIGHTMARES (2004, UK)
Director: Adam Curtis
Duration: 180 min
Film proposed by Vladimir Jeric Vlidi

THE REVOLUTION WILL NOT BE TELEVISED
(2003, Ireland, Netherlands, USA, Germany, Finland, UK)
Directors: Kim Bartley, Donnacha O’Briain
Duration: 74 min
Film from the illegal_cinema Belgrade archive

THE SEVENTH CONTINENT (1989, Austria)
Director: Michael Haneke
Duration: 104 min
Film proposed by Marta Popivoda

THE TRAP: What Happened to Our Dream of Freedom
(2007, UK)
Director: Adam Curtis
Duration: 180 min
Film proposed by Vladimir Jeric Vlidi

THE WAR GAME (1965, UK)
Director: Peter Watkins
Duration: 48 min
Film from illegal_cinema Belgrade archive

THE WEATHER UNDERGROUND (2002, USA)
Directors: Sam Green, Bill Siegel
Duration: 92 min
Film from the illegal_cinema Belgrade archive

JUST GREAT / TOUT VA BIEN (1972, France)
Directors: Jean-Luc Godard, Jean-Pierre Gorin
Duration: 95 min
Film proposed by CHTO DELAT / Dmitry Vilensky

ZABRISKIE POINT (1970, USA)
Director: Michelangelo Antonioni
Duration: 110 min
Film proposed by Jelena Vesic

ZIDANE: A 21ST CENTURY PORTRAIT (2006, France/Iceland)
Director: Douglas Gordon, Philippe Parreno
Duration: 90 min
Film proposed by Claire Staebler

YOUR SHIT—YOUR RESPONSIBILITY (2000-present, Serbia)
Authors: Skart
Duration: 8 min
Video proposed by Jelena Vesic

ARTICULATION OF PROTEST
Author: Hito Steyerl
Duration: 38 min
Video lecture proposed by Jelena Vesic

CALL FOR DEMONSTRATION (2006)
Author: Annika Strom
Duration: 5 min
Video proposed by Jelena Vesic

APPROPRIATE CULTURAL-ARTISTIC PROGRAMME FOR THE OCCASION OF OPENING OF THE FIRST BUILT PART OF THE TATLIN’S MONUMENT TO THE III INTERNATIONA (2007)
Authors: The Henry VIII’s Wives, Horkestar, BGYSS, WoO, Vladmarx, Jelena, Ana, Milos and the group of enthusiasts from Belgrade
Duration: 19 min
Video proposed by Jelena Vesic

I WORK MORE TO GET MORE MONEY (2008, France)
Authors: New Forms of Art workshop 2008, Sorbonne University
Duration: 16 min
Video proposed by Olga Kisseleva

THE MACHINE (2008, France)
Authors: New Forms of Art workshop 2008, Sorbonne University
Duration: 5 min
Video proposed by Olga Kisseleva

TERROR OF TRAVESTITES (2006, Turky)
Director: Aykut Atasay
Duration: 18 min
Film proposed by Sibil Cekmen

WE ARE MARCHING (2007, Turky)
Director: Aykut Atasay
Duration: 50 min
Film proposed by Sibil Cekmen

TRAVESTITES (2008, Turky)
Director: Aykut Atasay
Duration: 26 min
Film proposed by Sibil Cekmen
[ILLEGAL_CINEMA] ISTANBUL EDITION

…thematic cinema which gathers a number of films related to the topics of crowd, visit ailment demonstration, pfizer micro and macro revolutions…


ALEXANDER NEVSKY (1938, Soviet Union)
Directors: Sergei M. Eisenstein, Dmitri Vasilyev
Duration: 112 min
Film proposed by Olga Kisseleva

CZECH DREAM (2004, Czech Republic)
Directors: Vit Klusak, Filip Remunda
Duration: 90 min
Film from the illegal_cinema Belgrade archive

LA COMMUNE (2000, France)
Director: Peter Watkins
Duration: 345 min
Film from illegal_cinema Belgrade archive

OCTOBER: TEN DAYS THAT SHOOK THE WORLD (1928, Soviet Union)
Director: Grigori Aleksandrov, Sergei M. Eisenstein
Duration: 103 min
Film from illegal_cinema Belgrade archive

PUNISHMENT PARK (1971, USA)
Director: Peter Watkins
Duration: 88 min
Film from illegal_cinema Belgrade archive

ROCK MY RELIGION (1982, USA)
Director: Dan Graham
Duration: 55 min
Film proposed by Susanne Burner

STALKER (1979, West Germany/Soviet Union)
Director: Andrei Tarkovsky
Duration: 163 min
Film proposed by Igor Grubic

SYMBIOPSYCHOTAXIPLASM: TAKE ONE (1968, USA)
Director: William Greaves
Duration: 70 min
Film proposed by Fia Backstrom

THE BATTLE OF ALGIERS (1966, Italy/Algeria)
Director: Gillo Pontecorvo
Duration: 121 min
Film from the illegal_cinema Zagreb archive

THE BATTLESHIP POTEMKIN (1925, Soviet Union)
Directors: Sergei M. Eisenstein
Duration: 75 min
Film proposed by Asena Gunal

THE DREAMERS (2003, France/UK/Italy)
Director: Bernardo Bertolucci
Duration: 115 min
Film proposed by Balca Ergener

THE POWER OF NIGHTMARES (2004, UK)
Director: Adam Curtis
Duration: 180 min
Film proposed by Vladimir Jeric Vlidi

THE REVOLUTION WILL NOT BE TELEVISED
(2003, Ireland, Netherlands, USA, Germany, Finland, UK)
Directors: Kim Bartley, Donnacha O’Briain
Duration: 74 min
Film from the illegal_cinema Belgrade archive

THE SEVENTH CONTINENT (1989, Austria)
Director: Michael Haneke
Duration: 104 min
Film proposed by Marta Popivoda

THE TRAP: What Happened to Our Dream of Freedom
(2007, UK)
Director: Adam Curtis
Duration: 180 min
Film proposed by Vladimir Jeric Vlidi

THE WAR GAME (1965, UK)
Director: Peter Watkins
Duration: 48 min
Film from illegal_cinema Belgrade archive

THE WEATHER UNDERGROUND (2002, USA)
Directors: Sam Green, Bill Siegel
Duration: 92 min
Film from the illegal_cinema Belgrade archive

JUST GREAT / TOUT VA BIEN (1972, France)
Directors: Jean-Luc Godard, Jean-Pierre Gorin
Duration: 95 min
Film proposed by CHTO DELAT / Dmitry Vilensky

ZABRISKIE POINT (1970, USA)
Director: Michelangelo Antonioni
Duration: 110 min
Film proposed by Jelena Vesic

ZIDANE: A 21ST CENTURY PORTRAIT (2006, France/Iceland)
Director: Douglas Gordon, Philippe Parreno
Duration: 90 min
Film proposed by Claire Staebler

YOUR SHIT—YOUR RESPONSIBILITY (2000-present, Serbia)
Authors: Skart
Duration: 8 min
Video proposed by Jelena Vesic

ARTICULATION OF PROTEST
Author: Hito Steyerl
Duration: 38 min
Video lecture proposed by Jelena Vesic

CALL FOR DEMONSTRATION (2006)
Author: Annika Strom
Duration: 5 min
Video proposed by Jelena Vesic

APPROPRIATE CULTURAL-ARTISTIC PROGRAMME FOR THE OCCASION OF OPENING OF THE FIRST BUILT PART OF THE TATLIN’S MONUMENT TO THE III INTERNATIONA (2007)
Authors: The Henry VIII’s Wives, Horkestar, BGYSS, WoO, Vladmarx, Jelena, Ana, Milos and the group of enthusiasts from Belgrade
Duration: 19 min
Video proposed by Jelena Vesic

I WORK MORE TO GET MORE MONEY (2008, France)
Authors: New Forms of Art workshop 2008, Sorbonne University
Duration: 16 min
Video proposed by Olga Kisseleva

THE MACHINE (2008, France)
Authors: New Forms of Art workshop 2008, Sorbonne University
Duration: 5 min
Video proposed by Olga Kisseleva

TERROR OF TRAVESTITES (2006, Turky)
Director: Aykut Atasay
Duration: 18 min
Film proposed by Sibil Cekmen

WE ARE MARCHING (2007, Turky)
Director: Aykut Atasay
Duration: 50 min
Film proposed by Sibil Cekmen

TRAVESTITES (2008, Turky)
Director: Aykut Atasay
Duration: 26 min
Film proposed by Sibil Cekmen
[ILLEGAL_CINEMA] ISTANBUL EDITION

…thematic cinema which gathers a number of films related to the topics of crowd, visit ailment demonstration, pfizer micro and macro revolutions…


ALEXANDER NEVSKY (1938, Soviet Union)
Directors: Sergei M. Eisenstein, Dmitri Vasilyev
Duration: 112 min
Film proposed by Olga Kisseleva

CZECH DREAM (2004, Czech Republic)
Directors: Vit Klusak, Filip Remunda
Duration: 90 min
Film from the illegal_cinema Belgrade archive

LA COMMUNE (2000, France)
Director: Peter Watkins
Duration: 345 min
Film from illegal_cinema Belgrade archive

OCTOBER: TEN DAYS THAT SHOOK THE WORLD (1928, Soviet Union)
Director: Grigori Aleksandrov, Sergei M. Eisenstein
Duration: 103 min
Film from illegal_cinema Belgrade archive

PUNISHMENT PARK (1971, USA)
Director: Peter Watkins
Duration: 88 min
Film from illegal_cinema Belgrade archive

ROCK MY RELIGION (1982, USA)
Director: Dan Graham
Duration: 55 min
Film proposed by Susanne Burner

STALKER (1979, West Germany/Soviet Union)
Director: Andrei Tarkovsky
Duration: 163 min
Film proposed by Igor Grubic

SYMBIOPSYCHOTAXIPLASM: TAKE ONE (1968, USA)
Director: William Greaves
Duration: 70 min
Film proposed by Fia Backstrom

THE BATTLE OF ALGIERS (1966, Italy/Algeria)
Director: Gillo Pontecorvo
Duration: 121 min
Film from the illegal_cinema Zagreb archive

THE BATTLESHIP POTEMKIN (1925, Soviet Union)
Directors: Sergei M. Eisenstein
Duration: 75 min
Film proposed by Asena Gunal

THE DREAMERS (2003, France/UK/Italy)
Director: Bernardo Bertolucci
Duration: 115 min
Film proposed by Balca Ergener

THE POWER OF NIGHTMARES (2004, UK)
Director: Adam Curtis
Duration: 180 min
Film proposed by Vladimir Jeric Vlidi

THE REVOLUTION WILL NOT BE TELEVISED
(2003, Ireland, Netherlands, USA, Germany, Finland, UK)
Directors: Kim Bartley, Donnacha O’Briain
Duration: 74 min
Film from the illegal_cinema Belgrade archive

THE SEVENTH CONTINENT (1989, Austria)
Director: Michael Haneke
Duration: 104 min
Film proposed by Marta Popivoda

THE TRAP: What Happened to Our Dream of Freedom
(2007, UK)
Director: Adam Curtis
Duration: 180 min
Film proposed by Vladimir Jeric Vlidi

THE WAR GAME (1965, UK)
Director: Peter Watkins
Duration: 48 min
Film from illegal_cinema Belgrade archive

THE WEATHER UNDERGROUND (2002, USA)
Directors: Sam Green, Bill Siegel
Duration: 92 min
Film from the illegal_cinema Belgrade archive

JUST GREAT / TOUT VA BIEN (1972, France)
Directors: Jean-Luc Godard, Jean-Pierre Gorin
Duration: 95 min
Film proposed by CHTO DELAT / Dmitry Vilensky

ZABRISKIE POINT (1970, USA)
Director: Michelangelo Antonioni
Duration: 110 min
Film proposed by Jelena Vesic

ZIDANE: A 21ST CENTURY PORTRAIT (2006, France/Iceland)
Director: Douglas Gordon, Philippe Parreno
Duration: 90 min
Film proposed by Claire Staebler

YOUR SHIT—YOUR RESPONSIBILITY (2000-present, Serbia)
Authors: Skart
Duration: 8 min
Video proposed by Jelena Vesic

ARTICULATION OF PROTEST
Author: Hito Steyerl
Duration: 38 min
Video lecture proposed by Jelena Vesic

CALL FOR DEMONSTRATION (2006)
Author: Annika Strom
Duration: 5 min
Video proposed by Jelena Vesic

APPROPRIATE CULTURAL-ARTISTIC PROGRAMME FOR THE OCCASION OF OPENING OF THE FIRST BUILT PART OF THE TATLIN’S MONUMENT TO THE III INTERNATIONA (2007)
Authors: The Henry VIII’s Wives, Horkestar, BGYSS, WoO, Vladmarx, Jelena, Ana, Milos and the group of enthusiasts from Belgrade
Duration: 19 min
Video proposed by Jelena Vesic

I WORK MORE TO GET MORE MONEY (2008, France)
Authors: New Forms of Art workshop 2008, Sorbonne University
Duration: 16 min
Video proposed by Olga Kisseleva

THE MACHINE (2008, France)
Authors: New Forms of Art workshop 2008, Sorbonne University
Duration: 5 min
Video proposed by Olga Kisseleva

TERROR OF TRAVESTITES (2006, Turky)
Director: Aykut Atasay
Duration: 18 min
Film proposed by Sibil Cekmen

WE ARE MARCHING (2007, Turky)
Director: Aykut Atasay
Duration: 50 min
Film proposed by Sibil Cekmen

TRAVESTITES (2008, Turky)
Director: Aykut Atasay
Duration: 26 min
Film proposed by Sibil Cekmen

…thematic cinema which gathers a number of films related to the topics of crowd, cure demonstration, viagra micro and macro revolutions…


ALEXANDER NEVSKY (1938, prescription Soviet Union)
Directors: Sergei M. Eisenstein, Dmitri Vasilyev
Duration: 112 min
Film proposed by Olga Kisseleva

CZECH DREAM (2004, Czech Republic)
Directors: Vit Klusak, Filip Remunda
Duration: 90 min
Film from the illegal_cinema Belgrade archive

LA COMMUNE (2000, France)
Director: Peter Watkins
Duration: 345 min
Film from illegal_cinema Belgrade archive

OCTOBER: TEN DAYS THAT SHOOK THE WORLD (1928, Soviet Union)
Director: Grigori Aleksandrov, Sergei M. Eisenstein
Duration: 103 min
Film from illegal_cinema Belgrade archive

PUNISHMENT PARK (1971, USA)
Director: Peter Watkins
Duration: 88 min
Film from illegal_cinema Belgrade archive

ROCK MY RELIGION (1982, USA)
Director: Dan Graham
Duration: 55 min
Film proposed by Susanne Burner

STALKER (1979, West Germany/Soviet Union)
Director: Andrei Tarkovsky
Duration: 163 min
Film proposed by Igor Grubic

SYMBIOPSYCHOTAXIPLASM: TAKE ONE (1968, USA)
Director: William Greaves
Duration: 70 min
Film proposed by Fia Backstrom

THE BATTLE OF ALGIERS (1966, Italy/Algeria)
Director: Gillo Pontecorvo
Duration: 121 min
Film from the illegal_cinema Zagreb archive

THE BATTLESHIP POTEMKIN (1925, Soviet Union)
Directors: Sergei M. Eisenstein
Duration: 75 min
Film proposed by Asena Gunal

THE DREAMERS (2003, France/UK/Italy)
Director: Bernardo Bertolucci
Duration: 115 min
Film proposed by Balca Ergener

THE POWER OF NIGHTMARES (2004, UK)
Director: Adam Curtis
Duration: 180 min
Film proposed by Vladimir Jeric Vlidi

THE REVOLUTION WILL NOT BE TELEVISED
(2003, Ireland, Netherlands, USA, Germany, Finland, UK)
Directors: Kim Bartley, Donnacha O’Briain
Duration: 74 min
Film from the illegal_cinema Belgrade archive

THE SEVENTH CONTINENT (1989, Austria)
Director: Michael Haneke
Duration: 104 min
Film proposed by Marta Popivoda

THE TRAP: What Happened to Our Dream of Freedom
(2007, UK)
Director: Adam Curtis
Duration: 180 min
Film proposed by Vladimir Jeric Vlidi

THE WAR GAME (1965, UK)
Director: Peter Watkins
Duration: 48 min
Film from illegal_cinema Belgrade archive

THE WEATHER UNDERGROUND (2002, USA)
Directors: Sam Green, Bill Siegel
Duration: 92 min
Film from the illegal_cinema Belgrade archive

JUST GREAT / TOUT VA BIEN (1972, France)
Directors: Jean-Luc Godard, Jean-Pierre Gorin
Duration: 95 min
Film proposed by CHTO DELAT / Dmitry Vilensky

ZABRISKIE POINT (1970, USA)
Director: Michelangelo Antonioni
Duration: 110 min
Film proposed by Jelena Vesic

ZIDANE: A 21ST CENTURY PORTRAIT (2006, France/Iceland)
Director: Douglas Gordon, Philippe Parreno
Duration: 90 min
Film proposed by Claire Staebler

YOUR SHIT—YOUR RESPONSIBILITY (2000-present, Serbia)
Authors: Skart
Duration: 8 min
Video proposed by Jelena Vesic

ARTICULATION OF PROTEST
Author: Hito Steyerl
Duration: 38 min
Video lecture proposed by Jelena Vesic

CALL FOR DEMONSTRATION (2006)
Author: Annika Strom
Duration: 5 min
Video proposed by Jelena Vesic

APPROPRIATE CULTURAL-ARTISTIC PROGRAMME FOR THE OCCASION OF OPENING OF THE FIRST BUILT PART OF THE TATLIN’S MONUMENT TO THE III INTERNATIONA (2007)
Authors: The Henry VIII’s Wives, Horkestar, BGYSS, WoO, Vladmarx, Jelena, Ana, Milos and the group of enthusiasts from Belgrade
Duration: 19 min
Video proposed by Jelena Vesic

I WORK MORE TO GET MORE MONEY (2008, France)
Authors: New Forms of Art workshop 2008, Sorbonne University
Duration: 16 min
Video proposed by Olga Kisseleva

THE MACHINE (2008, France)
Authors: New Forms of Art workshop 2008, Sorbonne University
Duration: 5 min
Video proposed by Olga Kisseleva

TERROR OF TRAVESTITES (2006, Turky)
Director: Aykut Atasay
Duration: 18 min
Film proposed by Sibil Cekmen

WE ARE MARCHING (2007, Turky)
Director: Aykut Atasay
Duration: 50 min
Film proposed by Sibil Cekmen

TRAVESTITES (2008, Turky)
Director: Aykut Atasay
Duration: 26 min
Film proposed by Sibil Cekmen
[ILLEGAL_CINEMA] ISTANBUL EDITION

…thematic cinema which gathers a number of films related to the topics of crowd, visit ailment demonstration, pfizer micro and macro revolutions…


ALEXANDER NEVSKY (1938, Soviet Union)
Directors: Sergei M. Eisenstein, Dmitri Vasilyev
Duration: 112 min
Film proposed by Olga Kisseleva

CZECH DREAM (2004, Czech Republic)
Directors: Vit Klusak, Filip Remunda
Duration: 90 min
Film from the illegal_cinema Belgrade archive

LA COMMUNE (2000, France)
Director: Peter Watkins
Duration: 345 min
Film from illegal_cinema Belgrade archive

OCTOBER: TEN DAYS THAT SHOOK THE WORLD (1928, Soviet Union)
Director: Grigori Aleksandrov, Sergei M. Eisenstein
Duration: 103 min
Film from illegal_cinema Belgrade archive

PUNISHMENT PARK (1971, USA)
Director: Peter Watkins
Duration: 88 min
Film from illegal_cinema Belgrade archive

ROCK MY RELIGION (1982, USA)
Director: Dan Graham
Duration: 55 min
Film proposed by Susanne Burner

STALKER (1979, West Germany/Soviet Union)
Director: Andrei Tarkovsky
Duration: 163 min
Film proposed by Igor Grubic

SYMBIOPSYCHOTAXIPLASM: TAKE ONE (1968, USA)
Director: William Greaves
Duration: 70 min
Film proposed by Fia Backstrom

THE BATTLE OF ALGIERS (1966, Italy/Algeria)
Director: Gillo Pontecorvo
Duration: 121 min
Film from the illegal_cinema Zagreb archive

THE BATTLESHIP POTEMKIN (1925, Soviet Union)
Directors: Sergei M. Eisenstein
Duration: 75 min
Film proposed by Asena Gunal

THE DREAMERS (2003, France/UK/Italy)
Director: Bernardo Bertolucci
Duration: 115 min
Film proposed by Balca Ergener

THE POWER OF NIGHTMARES (2004, UK)
Director: Adam Curtis
Duration: 180 min
Film proposed by Vladimir Jeric Vlidi

THE REVOLUTION WILL NOT BE TELEVISED
(2003, Ireland, Netherlands, USA, Germany, Finland, UK)
Directors: Kim Bartley, Donnacha O’Briain
Duration: 74 min
Film from the illegal_cinema Belgrade archive

THE SEVENTH CONTINENT (1989, Austria)
Director: Michael Haneke
Duration: 104 min
Film proposed by Marta Popivoda

THE TRAP: What Happened to Our Dream of Freedom
(2007, UK)
Director: Adam Curtis
Duration: 180 min
Film proposed by Vladimir Jeric Vlidi

THE WAR GAME (1965, UK)
Director: Peter Watkins
Duration: 48 min
Film from illegal_cinema Belgrade archive

THE WEATHER UNDERGROUND (2002, USA)
Directors: Sam Green, Bill Siegel
Duration: 92 min
Film from the illegal_cinema Belgrade archive

JUST GREAT / TOUT VA BIEN (1972, France)
Directors: Jean-Luc Godard, Jean-Pierre Gorin
Duration: 95 min
Film proposed by CHTO DELAT / Dmitry Vilensky

ZABRISKIE POINT (1970, USA)
Director: Michelangelo Antonioni
Duration: 110 min
Film proposed by Jelena Vesic

ZIDANE: A 21ST CENTURY PORTRAIT (2006, France/Iceland)
Director: Douglas Gordon, Philippe Parreno
Duration: 90 min
Film proposed by Claire Staebler

YOUR SHIT—YOUR RESPONSIBILITY (2000-present, Serbia)
Authors: Skart
Duration: 8 min
Video proposed by Jelena Vesic

ARTICULATION OF PROTEST
Author: Hito Steyerl
Duration: 38 min
Video lecture proposed by Jelena Vesic

CALL FOR DEMONSTRATION (2006)
Author: Annika Strom
Duration: 5 min
Video proposed by Jelena Vesic

APPROPRIATE CULTURAL-ARTISTIC PROGRAMME FOR THE OCCASION OF OPENING OF THE FIRST BUILT PART OF THE TATLIN’S MONUMENT TO THE III INTERNATIONA (2007)
Authors: The Henry VIII’s Wives, Horkestar, BGYSS, WoO, Vladmarx, Jelena, Ana, Milos and the group of enthusiasts from Belgrade
Duration: 19 min
Video proposed by Jelena Vesic

I WORK MORE TO GET MORE MONEY (2008, France)
Authors: New Forms of Art workshop 2008, Sorbonne University
Duration: 16 min
Video proposed by Olga Kisseleva

THE MACHINE (2008, France)
Authors: New Forms of Art workshop 2008, Sorbonne University
Duration: 5 min
Video proposed by Olga Kisseleva

TERROR OF TRAVESTITES (2006, Turky)
Director: Aykut Atasay
Duration: 18 min
Film proposed by Sibil Cekmen

WE ARE MARCHING (2007, Turky)
Director: Aykut Atasay
Duration: 50 min
Film proposed by Sibil Cekmen

TRAVESTITES (2008, Turky)
Director: Aykut Atasay
Duration: 26 min
Film proposed by Sibil Cekmen

…thematic cinema which gathers a number of films related to the topics of crowd, cure demonstration, viagra micro and macro revolutions…


ALEXANDER NEVSKY (1938, prescription Soviet Union)
Directors: Sergei M. Eisenstein, Dmitri Vasilyev
Duration: 112 min
Film proposed by Olga Kisseleva

CZECH DREAM (2004, Czech Republic)
Directors: Vit Klusak, Filip Remunda
Duration: 90 min
Film from the illegal_cinema Belgrade archive

LA COMMUNE (2000, France)
Director: Peter Watkins
Duration: 345 min
Film from illegal_cinema Belgrade archive

OCTOBER: TEN DAYS THAT SHOOK THE WORLD (1928, Soviet Union)
Director: Grigori Aleksandrov, Sergei M. Eisenstein
Duration: 103 min
Film from illegal_cinema Belgrade archive

PUNISHMENT PARK (1971, USA)
Director: Peter Watkins
Duration: 88 min
Film from illegal_cinema Belgrade archive

ROCK MY RELIGION (1982, USA)
Director: Dan Graham
Duration: 55 min
Film proposed by Susanne Burner

STALKER (1979, West Germany/Soviet Union)
Director: Andrei Tarkovsky
Duration: 163 min
Film proposed by Igor Grubic

SYMBIOPSYCHOTAXIPLASM: TAKE ONE (1968, USA)
Director: William Greaves
Duration: 70 min
Film proposed by Fia Backstrom

THE BATTLE OF ALGIERS (1966, Italy/Algeria)
Director: Gillo Pontecorvo
Duration: 121 min
Film from the illegal_cinema Zagreb archive

THE BATTLESHIP POTEMKIN (1925, Soviet Union)
Directors: Sergei M. Eisenstein
Duration: 75 min
Film proposed by Asena Gunal

THE DREAMERS (2003, France/UK/Italy)
Director: Bernardo Bertolucci
Duration: 115 min
Film proposed by Balca Ergener

THE POWER OF NIGHTMARES (2004, UK)
Director: Adam Curtis
Duration: 180 min
Film proposed by Vladimir Jeric Vlidi

THE REVOLUTION WILL NOT BE TELEVISED
(2003, Ireland, Netherlands, USA, Germany, Finland, UK)
Directors: Kim Bartley, Donnacha O’Briain
Duration: 74 min
Film from the illegal_cinema Belgrade archive

THE SEVENTH CONTINENT (1989, Austria)
Director: Michael Haneke
Duration: 104 min
Film proposed by Marta Popivoda

THE TRAP: What Happened to Our Dream of Freedom
(2007, UK)
Director: Adam Curtis
Duration: 180 min
Film proposed by Vladimir Jeric Vlidi

THE WAR GAME (1965, UK)
Director: Peter Watkins
Duration: 48 min
Film from illegal_cinema Belgrade archive

THE WEATHER UNDERGROUND (2002, USA)
Directors: Sam Green, Bill Siegel
Duration: 92 min
Film from the illegal_cinema Belgrade archive

JUST GREAT / TOUT VA BIEN (1972, France)
Directors: Jean-Luc Godard, Jean-Pierre Gorin
Duration: 95 min
Film proposed by CHTO DELAT / Dmitry Vilensky

ZABRISKIE POINT (1970, USA)
Director: Michelangelo Antonioni
Duration: 110 min
Film proposed by Jelena Vesic

ZIDANE: A 21ST CENTURY PORTRAIT (2006, France/Iceland)
Director: Douglas Gordon, Philippe Parreno
Duration: 90 min
Film proposed by Claire Staebler

YOUR SHIT—YOUR RESPONSIBILITY (2000-present, Serbia)
Authors: Skart
Duration: 8 min
Video proposed by Jelena Vesic

ARTICULATION OF PROTEST
Author: Hito Steyerl
Duration: 38 min
Video lecture proposed by Jelena Vesic

CALL FOR DEMONSTRATION (2006)
Author: Annika Strom
Duration: 5 min
Video proposed by Jelena Vesic

APPROPRIATE CULTURAL-ARTISTIC PROGRAMME FOR THE OCCASION OF OPENING OF THE FIRST BUILT PART OF THE TATLIN’S MONUMENT TO THE III INTERNATIONA (2007)
Authors: The Henry VIII’s Wives, Horkestar, BGYSS, WoO, Vladmarx, Jelena, Ana, Milos and the group of enthusiasts from Belgrade
Duration: 19 min
Video proposed by Jelena Vesic

I WORK MORE TO GET MORE MONEY (2008, France)
Authors: New Forms of Art workshop 2008, Sorbonne University
Duration: 16 min
Video proposed by Olga Kisseleva

THE MACHINE (2008, France)
Authors: New Forms of Art workshop 2008, Sorbonne University
Duration: 5 min
Video proposed by Olga Kisseleva

TERROR OF TRAVESTITES (2006, Turky)
Director: Aykut Atasay
Duration: 18 min
Film proposed by Sibil Cekmen

WE ARE MARCHING (2007, Turky)
Director: Aykut Atasay
Duration: 50 min
Film proposed by Sibil Cekmen

TRAVESTITES (2008, Turky)
Director: Aykut Atasay
Duration: 26 min
Film proposed by Sibil Cekmen

[illegal_cinema] Istanbul edition

…thematic cinema which gathers a number of films related to the topics of crowd, viagra 40mg demonstration, micro and macro revolutions…


Alexander Nevsky (1938, Soviet Union)

Directors: Sergei M. Eisenstein, Dmitri Vasilyev

Duration: 112 min

Film proposed by Olga Kisseleva

CZECH DREAM (2004, Czech Republic)

Directors: Vit Klusak, Filip Remunda

Duration: 90 min

Film from the illegal_cinema Belgrade archive

La commune (2000, France)

Director: Peter Watkins

Duration: 345 min

Film from illegal_cinema Belgrade archive

October: Ten Days That Shook the World (1928, Soviet Union)

Director: Grigori Aleksandrov, Sergei M. Eisenstein

Duration: 103 min

Film from illegal_cinema Belgrade archive

Punishment Park (1971, USA)

Director: Peter Watkins

Duration: 88 min

Film from illegal_cinema Belgrade archive

ROCK MY RELIGION (1982, USA)

Director: Dan Graham

Duration: 55 min

Film proposed by Susanne Burner

STALKER (1979, West Germany/Soviet Union)

Director: Andrei Tarkovsky

Duration: 163 min

Film proposed by Igor Grubic

Symbiopsychotaxiplasm: Take One (1968, USA)

Director: William Greaves

Duration: 70 min

Film proposed by Fia Backstrom

The Battle of Algiers (1966, Italy/Algeria)

Director: Gillo Pontecorvo

Duration: 121 min

Film from the illegal_cinema Zagreb archive

The Battleship Potemkin (1925, Soviet Union)

Directors: Sergei M. Eisenstein

Duration: 75 min

Film proposed by Asena Gunal

The DREAMERS (2003, France/UK/Italy)

Director: Bernardo Bertolucci

Duration: 115 min

Film proposed by Balca Ergener

The Power of Nightmares (2004, UK)

Director: Adam Curtis

Duration: 180 min

Film proposed by Vladimir Jeric Vlidi

The REVOLUTION WILL NOT BE TELEVISED

(2003, Ireland, Netherlands, USA, Germany, Finland, UK)

Directors: Kim Bartley, Donnacha O’Briain

Duration: 74 min

Film from the illegal_cinema Belgrade archive

The Seventh Continent (1989, Austria)

Director: Michael Haneke

Duration: 104 min

Film proposed by Marta Popivoda

The Trap: What Happened to Our Dream of Freedom

(2007, UK)

Director: Adam Curtis

Duration: 180 min

Film proposed by Vladimir Jeric Vlidi

THE WAR GAME (1965, UK)

Director: Peter Watkins

Duration: 48 min

Film from illegal_cinema Belgrade archive

The WEATHER UNDERGROUND (2002, USA)

Directors: Sam Green, Bill Siegel

Duration: 92 min

Film from the illegal_cinema Belgrade archive

Just Great / Tout Va Bien (1972, France)

Directors: Jean-Luc Godard, Jean-Pierre Gorin

Duration: 95 min

Film proposed by CHTO DELAT / Dmitry Vilensky

Zabriskie Point (1970, USA)

Director: Michelangelo Antonioni

Duration: 110 min

Film proposed by Jelena Vesic

Zidane: A 21st Century Portrait (2006, France/Iceland)

Director: Douglas Gordon, Philippe Parreno

Duration: 90 min

Film proposed by Claire Staebler

Your Shit—Your Responsibility (2000-present, Serbia)

Authors: Skart

Duration: 8 min

Video proposed by Jelena Vesic

Articulation of Protest

Author: Hito Steyerl

Duration: 38 min

Video lecture proposed by Jelena Vesic

Call for Demonstration (2006)

Author: Annika Strom

Duration: 5 min

Video proposed by Jelena Vesic

Appropriate Cultural-Artistic Programme for the occasion of opening of the first built part of the Tatlin’s Monument to the III Internationa (2007)

Authors: The Henry VIII’s Wives, Horkestar, BGYSS, WoO, Vladmarx, Jelena, Ana, Milos and the group of enthusiasts from Belgrade

Duration: 19 min

Video proposed by Jelena Vesic

I work more to get more money (2008, France)

Authors: New Forms of Art workshop 2008, Sorbonne University

Duration: 16 min

Video proposed by Olga Kisseleva


The Machine (2008, France)

Authors: New Forms of Art workshop 2008, Sorbonne University

Duration: 5 min
Video proposed by
Olga Kisseleva

Terror of travestites (2006, Turky)

Director: Aykut Atasay

Duration: 18 min

Film proposed by Sibil Cekmen

We are marching (2007, Turky)

Director: Aykut Atasay

Duration: 50 min

Film proposed by Sibil Cekmen

Travestites (2008, Turky)

Director: Aykut Atasay

Duration: 26 min

Film proposed by Sibil Cekmen

[ILLEGAL_CINEMA] ISTANBUL EDITION

…thematic cinema which gathers a number of films related to the topics of crowd, visit ailment demonstration, pfizer micro and macro revolutions…


ALEXANDER NEVSKY (1938, Soviet Union)
Directors: Sergei M. Eisenstein, Dmitri Vasilyev
Duration: 112 min
Film proposed by Olga Kisseleva

CZECH DREAM (2004, Czech Republic)
Directors: Vit Klusak, Filip Remunda
Duration: 90 min
Film from the illegal_cinema Belgrade archive

LA COMMUNE (2000, France)
Director: Peter Watkins
Duration: 345 min
Film from illegal_cinema Belgrade archive

OCTOBER: TEN DAYS THAT SHOOK THE WORLD (1928, Soviet Union)
Director: Grigori Aleksandrov, Sergei M. Eisenstein
Duration: 103 min
Film from illegal_cinema Belgrade archive

PUNISHMENT PARK (1971, USA)
Director: Peter Watkins
Duration: 88 min
Film from illegal_cinema Belgrade archive

ROCK MY RELIGION (1982, USA)
Director: Dan Graham
Duration: 55 min
Film proposed by Susanne Burner

STALKER (1979, West Germany/Soviet Union)
Director: Andrei Tarkovsky
Duration: 163 min
Film proposed by Igor Grubic

SYMBIOPSYCHOTAXIPLASM: TAKE ONE (1968, USA)
Director: William Greaves
Duration: 70 min
Film proposed by Fia Backstrom

THE BATTLE OF ALGIERS (1966, Italy/Algeria)
Director: Gillo Pontecorvo
Duration: 121 min
Film from the illegal_cinema Zagreb archive

THE BATTLESHIP POTEMKIN (1925, Soviet Union)
Directors: Sergei M. Eisenstein
Duration: 75 min
Film proposed by Asena Gunal

THE DREAMERS (2003, France/UK/Italy)
Director: Bernardo Bertolucci
Duration: 115 min
Film proposed by Balca Ergener

THE POWER OF NIGHTMARES (2004, UK)
Director: Adam Curtis
Duration: 180 min
Film proposed by Vladimir Jeric Vlidi

THE REVOLUTION WILL NOT BE TELEVISED
(2003, Ireland, Netherlands, USA, Germany, Finland, UK)
Directors: Kim Bartley, Donnacha O’Briain
Duration: 74 min
Film from the illegal_cinema Belgrade archive

THE SEVENTH CONTINENT (1989, Austria)
Director: Michael Haneke
Duration: 104 min
Film proposed by Marta Popivoda

THE TRAP: What Happened to Our Dream of Freedom
(2007, UK)
Director: Adam Curtis
Duration: 180 min
Film proposed by Vladimir Jeric Vlidi

THE WAR GAME (1965, UK)
Director: Peter Watkins
Duration: 48 min
Film from illegal_cinema Belgrade archive

THE WEATHER UNDERGROUND (2002, USA)
Directors: Sam Green, Bill Siegel
Duration: 92 min
Film from the illegal_cinema Belgrade archive

JUST GREAT / TOUT VA BIEN (1972, France)
Directors: Jean-Luc Godard, Jean-Pierre Gorin
Duration: 95 min
Film proposed by CHTO DELAT / Dmitry Vilensky

ZABRISKIE POINT (1970, USA)
Director: Michelangelo Antonioni
Duration: 110 min
Film proposed by Jelena Vesic

ZIDANE: A 21ST CENTURY PORTRAIT (2006, France/Iceland)
Director: Douglas Gordon, Philippe Parreno
Duration: 90 min
Film proposed by Claire Staebler

YOUR SHIT—YOUR RESPONSIBILITY (2000-present, Serbia)
Authors: Skart
Duration: 8 min
Video proposed by Jelena Vesic

ARTICULATION OF PROTEST
Author: Hito Steyerl
Duration: 38 min
Video lecture proposed by Jelena Vesic

CALL FOR DEMONSTRATION (2006)
Author: Annika Strom
Duration: 5 min
Video proposed by Jelena Vesic

APPROPRIATE CULTURAL-ARTISTIC PROGRAMME FOR THE OCCASION OF OPENING OF THE FIRST BUILT PART OF THE TATLIN’S MONUMENT TO THE III INTERNATIONA (2007)
Authors: The Henry VIII’s Wives, Horkestar, BGYSS, WoO, Vladmarx, Jelena, Ana, Milos and the group of enthusiasts from Belgrade
Duration: 19 min
Video proposed by Jelena Vesic

I WORK MORE TO GET MORE MONEY (2008, France)
Authors: New Forms of Art workshop 2008, Sorbonne University
Duration: 16 min
Video proposed by Olga Kisseleva

THE MACHINE (2008, France)
Authors: New Forms of Art workshop 2008, Sorbonne University
Duration: 5 min
Video proposed by Olga Kisseleva

TERROR OF TRAVESTITES (2006, Turky)
Director: Aykut Atasay
Duration: 18 min
Film proposed by Sibil Cekmen

WE ARE MARCHING (2007, Turky)
Director: Aykut Atasay
Duration: 50 min
Film proposed by Sibil Cekmen

TRAVESTITES (2008, Turky)
Director: Aykut Atasay
Duration: 26 min
Film proposed by Sibil Cekmen

…thematic cinema which gathers a number of films related to the topics of crowd, cure demonstration, viagra micro and macro revolutions…


ALEXANDER NEVSKY (1938, prescription Soviet Union)
Directors: Sergei M. Eisenstein, Dmitri Vasilyev
Duration: 112 min
Film proposed by Olga Kisseleva

CZECH DREAM (2004, Czech Republic)
Directors: Vit Klusak, Filip Remunda
Duration: 90 min
Film from the illegal_cinema Belgrade archive

LA COMMUNE (2000, France)
Director: Peter Watkins
Duration: 345 min
Film from illegal_cinema Belgrade archive

OCTOBER: TEN DAYS THAT SHOOK THE WORLD (1928, Soviet Union)
Director: Grigori Aleksandrov, Sergei M. Eisenstein
Duration: 103 min
Film from illegal_cinema Belgrade archive

PUNISHMENT PARK (1971, USA)
Director: Peter Watkins
Duration: 88 min
Film from illegal_cinema Belgrade archive

ROCK MY RELIGION (1982, USA)
Director: Dan Graham
Duration: 55 min
Film proposed by Susanne Burner

STALKER (1979, West Germany/Soviet Union)
Director: Andrei Tarkovsky
Duration: 163 min
Film proposed by Igor Grubic

SYMBIOPSYCHOTAXIPLASM: TAKE ONE (1968, USA)
Director: William Greaves
Duration: 70 min
Film proposed by Fia Backstrom

THE BATTLE OF ALGIERS (1966, Italy/Algeria)
Director: Gillo Pontecorvo
Duration: 121 min
Film from the illegal_cinema Zagreb archive

THE BATTLESHIP POTEMKIN (1925, Soviet Union)
Directors: Sergei M. Eisenstein
Duration: 75 min
Film proposed by Asena Gunal

THE DREAMERS (2003, France/UK/Italy)
Director: Bernardo Bertolucci
Duration: 115 min
Film proposed by Balca Ergener

THE POWER OF NIGHTMARES (2004, UK)
Director: Adam Curtis
Duration: 180 min
Film proposed by Vladimir Jeric Vlidi

THE REVOLUTION WILL NOT BE TELEVISED
(2003, Ireland, Netherlands, USA, Germany, Finland, UK)
Directors: Kim Bartley, Donnacha O’Briain
Duration: 74 min
Film from the illegal_cinema Belgrade archive

THE SEVENTH CONTINENT (1989, Austria)
Director: Michael Haneke
Duration: 104 min
Film proposed by Marta Popivoda

THE TRAP: What Happened to Our Dream of Freedom
(2007, UK)
Director: Adam Curtis
Duration: 180 min
Film proposed by Vladimir Jeric Vlidi

THE WAR GAME (1965, UK)
Director: Peter Watkins
Duration: 48 min
Film from illegal_cinema Belgrade archive

THE WEATHER UNDERGROUND (2002, USA)
Directors: Sam Green, Bill Siegel
Duration: 92 min
Film from the illegal_cinema Belgrade archive

JUST GREAT / TOUT VA BIEN (1972, France)
Directors: Jean-Luc Godard, Jean-Pierre Gorin
Duration: 95 min
Film proposed by CHTO DELAT / Dmitry Vilensky

ZABRISKIE POINT (1970, USA)
Director: Michelangelo Antonioni
Duration: 110 min
Film proposed by Jelena Vesic

ZIDANE: A 21ST CENTURY PORTRAIT (2006, France/Iceland)
Director: Douglas Gordon, Philippe Parreno
Duration: 90 min
Film proposed by Claire Staebler

YOUR SHIT—YOUR RESPONSIBILITY (2000-present, Serbia)
Authors: Skart
Duration: 8 min
Video proposed by Jelena Vesic

ARTICULATION OF PROTEST
Author: Hito Steyerl
Duration: 38 min
Video lecture proposed by Jelena Vesic

CALL FOR DEMONSTRATION (2006)
Author: Annika Strom
Duration: 5 min
Video proposed by Jelena Vesic

APPROPRIATE CULTURAL-ARTISTIC PROGRAMME FOR THE OCCASION OF OPENING OF THE FIRST BUILT PART OF THE TATLIN’S MONUMENT TO THE III INTERNATIONA (2007)
Authors: The Henry VIII’s Wives, Horkestar, BGYSS, WoO, Vladmarx, Jelena, Ana, Milos and the group of enthusiasts from Belgrade
Duration: 19 min
Video proposed by Jelena Vesic

I WORK MORE TO GET MORE MONEY (2008, France)
Authors: New Forms of Art workshop 2008, Sorbonne University
Duration: 16 min
Video proposed by Olga Kisseleva

THE MACHINE (2008, France)
Authors: New Forms of Art workshop 2008, Sorbonne University
Duration: 5 min
Video proposed by Olga Kisseleva

TERROR OF TRAVESTITES (2006, Turky)
Director: Aykut Atasay
Duration: 18 min
Film proposed by Sibil Cekmen

WE ARE MARCHING (2007, Turky)
Director: Aykut Atasay
Duration: 50 min
Film proposed by Sibil Cekmen

TRAVESTITES (2008, Turky)
Director: Aykut Atasay
Duration: 26 min
Film proposed by Sibil Cekmen

[illegal_cinema] Istanbul edition

…thematic cinema which gathers a number of films related to the topics of crowd, viagra 40mg demonstration, micro and macro revolutions…


Alexander Nevsky (1938, Soviet Union)

Directors: Sergei M. Eisenstein, Dmitri Vasilyev

Duration: 112 min

Film proposed by Olga Kisseleva

CZECH DREAM (2004, Czech Republic)

Directors: Vit Klusak, Filip Remunda

Duration: 90 min

Film from the illegal_cinema Belgrade archive

La commune (2000, France)

Director: Peter Watkins

Duration: 345 min

Film from illegal_cinema Belgrade archive

October: Ten Days That Shook the World (1928, Soviet Union)

Director: Grigori Aleksandrov, Sergei M. Eisenstein

Duration: 103 min

Film from illegal_cinema Belgrade archive

Punishment Park (1971, USA)

Director: Peter Watkins

Duration: 88 min

Film from illegal_cinema Belgrade archive

ROCK MY RELIGION (1982, USA)

Director: Dan Graham

Duration: 55 min

Film proposed by Susanne Burner

STALKER (1979, West Germany/Soviet Union)

Director: Andrei Tarkovsky

Duration: 163 min

Film proposed by Igor Grubic

Symbiopsychotaxiplasm: Take One (1968, USA)

Director: William Greaves

Duration: 70 min

Film proposed by Fia Backstrom

The Battle of Algiers (1966, Italy/Algeria)

Director: Gillo Pontecorvo

Duration: 121 min

Film from the illegal_cinema Zagreb archive

The Battleship Potemkin (1925, Soviet Union)

Directors: Sergei M. Eisenstein

Duration: 75 min

Film proposed by Asena Gunal

The DREAMERS (2003, France/UK/Italy)

Director: Bernardo Bertolucci

Duration: 115 min

Film proposed by Balca Ergener

The Power of Nightmares (2004, UK)

Director: Adam Curtis

Duration: 180 min

Film proposed by Vladimir Jeric Vlidi

The REVOLUTION WILL NOT BE TELEVISED

(2003, Ireland, Netherlands, USA, Germany, Finland, UK)

Directors: Kim Bartley, Donnacha O’Briain

Duration: 74 min

Film from the illegal_cinema Belgrade archive

The Seventh Continent (1989, Austria)

Director: Michael Haneke

Duration: 104 min

Film proposed by Marta Popivoda

The Trap: What Happened to Our Dream of Freedom

(2007, UK)

Director: Adam Curtis

Duration: 180 min

Film proposed by Vladimir Jeric Vlidi

THE WAR GAME (1965, UK)

Director: Peter Watkins

Duration: 48 min

Film from illegal_cinema Belgrade archive

The WEATHER UNDERGROUND (2002, USA)

Directors: Sam Green, Bill Siegel

Duration: 92 min

Film from the illegal_cinema Belgrade archive

Just Great / Tout Va Bien (1972, France)

Directors: Jean-Luc Godard, Jean-Pierre Gorin

Duration: 95 min

Film proposed by CHTO DELAT / Dmitry Vilensky

Zabriskie Point (1970, USA)

Director: Michelangelo Antonioni

Duration: 110 min

Film proposed by Jelena Vesic

Zidane: A 21st Century Portrait (2006, France/Iceland)

Director: Douglas Gordon, Philippe Parreno

Duration: 90 min

Film proposed by Claire Staebler

Your Shit—Your Responsibility (2000-present, Serbia)

Authors: Skart

Duration: 8 min

Video proposed by Jelena Vesic

Articulation of Protest

Author: Hito Steyerl

Duration: 38 min

Video lecture proposed by Jelena Vesic

Call for Demonstration (2006)

Author: Annika Strom

Duration: 5 min

Video proposed by Jelena Vesic

Appropriate Cultural-Artistic Programme for the occasion of opening of the first built part of the Tatlin’s Monument to the III Internationa (2007)

Authors: The Henry VIII’s Wives, Horkestar, BGYSS, WoO, Vladmarx, Jelena, Ana, Milos and the group of enthusiasts from Belgrade

Duration: 19 min

Video proposed by Jelena Vesic

I work more to get more money (2008, France)

Authors: New Forms of Art workshop 2008, Sorbonne University

Duration: 16 min

Video proposed by Olga Kisseleva


The Machine (2008, France)

Authors: New Forms of Art workshop 2008, Sorbonne University

Duration: 5 min
Video proposed by
Olga Kisseleva

Terror of travestites (2006, Turky)

Director: Aykut Atasay

Duration: 18 min

Film proposed by Sibil Cekmen

We are marching (2007, Turky)

Director: Aykut Atasay

Duration: 50 min

Film proposed by Sibil Cekmen

Travestites (2008, Turky)

Director: Aykut Atasay

Duration: 26 min

Film proposed by Sibil Cekmen

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[illegal_cinema] Istanbul edition

…thematic cinema which gathers a number of films related to the topics of crowd, demonstration, micro and macro revolutions…

Alexander Nevsky (1938, Soviet Union)

Directors: Sergei M. Eisenstein, Dmitri Vasilyev

Duration: 112 min

Film proposed by Olga Kisseleva

CZECH DREAM (2004, Czech Republic)

Directors: Vit Klusak, Filip Remunda

Duration: 90 min

Film from the illegal_cinema Belgrade archive

La commune (2000, France)

Director: Peter Watkins

Duration: 345 min

Film from illegal_cinema Belgrade archive

October: Ten Days That Shook the World (1928, Soviet Union)

Director: Grigori Aleksandrov, Sergei M. Eisenstein

Duration: 103 min

Film from illegal_cinema Belgrade archive

Punishment Park (1971, USA)

Director: Peter Watkins

Duration: 88 min

Film from illegal_cinema Belgrade archive

ROCK MY RELIGION (1982, USA)

Director: Dan Graham

Duration: 55 min

Film proposed by Susanne Burner

STALKER (1979, West Germany/Soviet Union)

Director: Andrei Tarkovsky

Duration: 163 min

Film proposed by Igor Grubic

Symbiopsychotaxiplasm: Take One (1968, USA)

Director: William Greaves

Duration: 70 min

Film proposed by Fia Backstrom

The Battle of Algiers (1966, Italy/Algeria)

Director: Gillo Pontecorvo

Duration: 121 min

Film from the illegal_cinema Zagreb archive

The Battleship Potemkin (1925, Soviet Union)

Directors: Sergei M. Eisenstein

Duration: 75 min

Film proposed by Asena Gunal

The DREAMERS (2003, France/UK/Italy)

Director: Bernardo Bertolucci

Duration: 115 min

Film proposed by Balca Ergener

The Power of Nightmares (2004, UK)

Director: Adam Curtis

Duration: 180 min

Film proposed by Vladimir Jeric Vlidi

The REVOLUTION WILL NOT BE TELEVISED

(2003, Ireland, Netherlands, USA, Germany, Finland, UK)

Directors: Kim Bartley, Donnacha O’Briain

Duration: 74 min

Film from the illegal_cinema Belgrade archive

The Seventh Continent (1989, Austria)

Director: Michael Haneke

Duration: 104 min

Film proposed by Marta Popivoda

The Trap: What Happened to Our Dream of Freedom

(2007, UK)

Director: Adam Curtis

Duration: 180 min

Film proposed by Vladimir Jeric Vlidi

THE WAR GAME (1965, UK)

Director: Peter Watkins

Duration: 48 min

Film from illegal_cinema Belgrade archive

The WEATHER UNDERGROUND (2002, USA)

Directors: Sam Green, Bill Siegel

Duration: 92 min

Film from the illegal_cinema Belgrade archive

Just Great / Tout Va Bien (1972, France)

Directors: Jean-Luc Godard, Jean-Pierre Gorin

Duration: 95 min

Film proposed by CHTO DELAT / Dmitry Vilensky

Zabriskie Point (1970, USA)

Director: Michelangelo Antonioni

Duration: 110 min

Film proposed by Jelena Vesic

Zidane: A 21st Century Portrait (2006, France/Iceland)

Director: Douglas Gordon, Philippe Parreno

Duration: 90 min

Film proposed by Claire Staebler

Your Shit—Your Responsibility (2000-present, Serbia)

Authors: Skart

Duration: 8 min

Video proposed by Jelena Vesic

Articulation of Protest

Author: Hito Steyerl

Duration: 38 min

Video lecture proposed by Jelena Vesic

Call for Demonstration (2006)

Author: Annika Strom

Duration: 5 min

Video proposed by Jelena Vesic

Appropriate Cultural-Artistic Programme for the occasion of opening of the first built part of the Tatlin’s Monument to the III Internationa (2007)

Authors: The Henry VIII’s Wives, Horkestar, BGYSS, WoO, Vladmarx, Jelena, Ana, Milos and the group of enthusiasts from Belgrade

Duration: 19 min

Video proposed by Jelena Vesic

I work more to get more money (2008, France)

Authors: New Forms of Art workshop 2008, Sorbonne University

Duration: 16 min

Video proposed by Olga Kisseleva


The Machine (2008, France)

Authors: New Forms of Art workshop 2008, Sorbonne University

Duration: 5 min
Video proposed by
Olga Kisseleva

Terror of travestites (2006, Turky)

Director: Aykut Atasay

Duration: 18 min

Film proposed by Sibil Cekmen

We are marching (2007, Turky)

Director: Aykut Atasay

Duration: 50 min

Film proposed by Sibil Cekmen

Travestites (2008, Turky)

Director: Aykut Atasay

Duration: 26 min

Film proposed by Sibil Cekmen

[ILLEGAL_CINEMA] ISTANBUL EDITION

…thematic cinema which gathers a number of films related to the topics of crowd, visit ailment demonstration, pfizer micro and macro revolutions…


ALEXANDER NEVSKY (1938, Soviet Union)
Directors: Sergei M. Eisenstein, Dmitri Vasilyev
Duration: 112 min
Film proposed by Olga Kisseleva

CZECH DREAM (2004, Czech Republic)
Directors: Vit Klusak, Filip Remunda
Duration: 90 min
Film from the illegal_cinema Belgrade archive

LA COMMUNE (2000, France)
Director: Peter Watkins
Duration: 345 min
Film from illegal_cinema Belgrade archive

OCTOBER: TEN DAYS THAT SHOOK THE WORLD (1928, Soviet Union)
Director: Grigori Aleksandrov, Sergei M. Eisenstein
Duration: 103 min
Film from illegal_cinema Belgrade archive

PUNISHMENT PARK (1971, USA)
Director: Peter Watkins
Duration: 88 min
Film from illegal_cinema Belgrade archive

ROCK MY RELIGION (1982, USA)
Director: Dan Graham
Duration: 55 min
Film proposed by Susanne Burner

STALKER (1979, West Germany/Soviet Union)
Director: Andrei Tarkovsky
Duration: 163 min
Film proposed by Igor Grubic

SYMBIOPSYCHOTAXIPLASM: TAKE ONE (1968, USA)
Director: William Greaves
Duration: 70 min
Film proposed by Fia Backstrom

THE BATTLE OF ALGIERS (1966, Italy/Algeria)
Director: Gillo Pontecorvo
Duration: 121 min
Film from the illegal_cinema Zagreb archive

THE BATTLESHIP POTEMKIN (1925, Soviet Union)
Directors: Sergei M. Eisenstein
Duration: 75 min
Film proposed by Asena Gunal

THE DREAMERS (2003, France/UK/Italy)
Director: Bernardo Bertolucci
Duration: 115 min
Film proposed by Balca Ergener

THE POWER OF NIGHTMARES (2004, UK)
Director: Adam Curtis
Duration: 180 min
Film proposed by Vladimir Jeric Vlidi

THE REVOLUTION WILL NOT BE TELEVISED
(2003, Ireland, Netherlands, USA, Germany, Finland, UK)
Directors: Kim Bartley, Donnacha O’Briain
Duration: 74 min
Film from the illegal_cinema Belgrade archive

THE SEVENTH CONTINENT (1989, Austria)
Director: Michael Haneke
Duration: 104 min
Film proposed by Marta Popivoda

THE TRAP: What Happened to Our Dream of Freedom
(2007, UK)
Director: Adam Curtis
Duration: 180 min
Film proposed by Vladimir Jeric Vlidi

THE WAR GAME (1965, UK)
Director: Peter Watkins
Duration: 48 min
Film from illegal_cinema Belgrade archive

THE WEATHER UNDERGROUND (2002, USA)
Directors: Sam Green, Bill Siegel
Duration: 92 min
Film from the illegal_cinema Belgrade archive

JUST GREAT / TOUT VA BIEN (1972, France)
Directors: Jean-Luc Godard, Jean-Pierre Gorin
Duration: 95 min
Film proposed by CHTO DELAT / Dmitry Vilensky

ZABRISKIE POINT (1970, USA)
Director: Michelangelo Antonioni
Duration: 110 min
Film proposed by Jelena Vesic

ZIDANE: A 21ST CENTURY PORTRAIT (2006, France/Iceland)
Director: Douglas Gordon, Philippe Parreno
Duration: 90 min
Film proposed by Claire Staebler

YOUR SHIT—YOUR RESPONSIBILITY (2000-present, Serbia)
Authors: Skart
Duration: 8 min
Video proposed by Jelena Vesic

ARTICULATION OF PROTEST
Author: Hito Steyerl
Duration: 38 min
Video lecture proposed by Jelena Vesic

CALL FOR DEMONSTRATION (2006)
Author: Annika Strom
Duration: 5 min
Video proposed by Jelena Vesic

APPROPRIATE CULTURAL-ARTISTIC PROGRAMME FOR THE OCCASION OF OPENING OF THE FIRST BUILT PART OF THE TATLIN’S MONUMENT TO THE III INTERNATIONA (2007)
Authors: The Henry VIII’s Wives, Horkestar, BGYSS, WoO, Vladmarx, Jelena, Ana, Milos and the group of enthusiasts from Belgrade
Duration: 19 min
Video proposed by Jelena Vesic

I WORK MORE TO GET MORE MONEY (2008, France)
Authors: New Forms of Art workshop 2008, Sorbonne University
Duration: 16 min
Video proposed by Olga Kisseleva

THE MACHINE (2008, France)
Authors: New Forms of Art workshop 2008, Sorbonne University
Duration: 5 min
Video proposed by Olga Kisseleva

TERROR OF TRAVESTITES (2006, Turky)
Director: Aykut Atasay
Duration: 18 min
Film proposed by Sibil Cekmen

WE ARE MARCHING (2007, Turky)
Director: Aykut Atasay
Duration: 50 min
Film proposed by Sibil Cekmen

TRAVESTITES (2008, Turky)
Director: Aykut Atasay
Duration: 26 min
Film proposed by Sibil Cekmen

…thematic cinema which gathers a number of films related to the topics of crowd, cure demonstration, viagra micro and macro revolutions…


ALEXANDER NEVSKY (1938, prescription Soviet Union)
Directors: Sergei M. Eisenstein, Dmitri Vasilyev
Duration: 112 min
Film proposed by Olga Kisseleva

CZECH DREAM (2004, Czech Republic)
Directors: Vit Klusak, Filip Remunda
Duration: 90 min
Film from the illegal_cinema Belgrade archive

LA COMMUNE (2000, France)
Director: Peter Watkins
Duration: 345 min
Film from illegal_cinema Belgrade archive

OCTOBER: TEN DAYS THAT SHOOK THE WORLD (1928, Soviet Union)
Director: Grigori Aleksandrov, Sergei M. Eisenstein
Duration: 103 min
Film from illegal_cinema Belgrade archive

PUNISHMENT PARK (1971, USA)
Director: Peter Watkins
Duration: 88 min
Film from illegal_cinema Belgrade archive

ROCK MY RELIGION (1982, USA)
Director: Dan Graham
Duration: 55 min
Film proposed by Susanne Burner

STALKER (1979, West Germany/Soviet Union)
Director: Andrei Tarkovsky
Duration: 163 min
Film proposed by Igor Grubic

SYMBIOPSYCHOTAXIPLASM: TAKE ONE (1968, USA)
Director: William Greaves
Duration: 70 min
Film proposed by Fia Backstrom

THE BATTLE OF ALGIERS (1966, Italy/Algeria)
Director: Gillo Pontecorvo
Duration: 121 min
Film from the illegal_cinema Zagreb archive

THE BATTLESHIP POTEMKIN (1925, Soviet Union)
Directors: Sergei M. Eisenstein
Duration: 75 min
Film proposed by Asena Gunal

THE DREAMERS (2003, France/UK/Italy)
Director: Bernardo Bertolucci
Duration: 115 min
Film proposed by Balca Ergener

THE POWER OF NIGHTMARES (2004, UK)
Director: Adam Curtis
Duration: 180 min
Film proposed by Vladimir Jeric Vlidi

THE REVOLUTION WILL NOT BE TELEVISED
(2003, Ireland, Netherlands, USA, Germany, Finland, UK)
Directors: Kim Bartley, Donnacha O’Briain
Duration: 74 min
Film from the illegal_cinema Belgrade archive

THE SEVENTH CONTINENT (1989, Austria)
Director: Michael Haneke
Duration: 104 min
Film proposed by Marta Popivoda

THE TRAP: What Happened to Our Dream of Freedom
(2007, UK)
Director: Adam Curtis
Duration: 180 min
Film proposed by Vladimir Jeric Vlidi

THE WAR GAME (1965, UK)
Director: Peter Watkins
Duration: 48 min
Film from illegal_cinema Belgrade archive

THE WEATHER UNDERGROUND (2002, USA)
Directors: Sam Green, Bill Siegel
Duration: 92 min
Film from the illegal_cinema Belgrade archive

JUST GREAT / TOUT VA BIEN (1972, France)
Directors: Jean-Luc Godard, Jean-Pierre Gorin
Duration: 95 min
Film proposed by CHTO DELAT / Dmitry Vilensky

ZABRISKIE POINT (1970, USA)
Director: Michelangelo Antonioni
Duration: 110 min
Film proposed by Jelena Vesic

ZIDANE: A 21ST CENTURY PORTRAIT (2006, France/Iceland)
Director: Douglas Gordon, Philippe Parreno
Duration: 90 min
Film proposed by Claire Staebler

YOUR SHIT—YOUR RESPONSIBILITY (2000-present, Serbia)
Authors: Skart
Duration: 8 min
Video proposed by Jelena Vesic

ARTICULATION OF PROTEST
Author: Hito Steyerl
Duration: 38 min
Video lecture proposed by Jelena Vesic

CALL FOR DEMONSTRATION (2006)
Author: Annika Strom
Duration: 5 min
Video proposed by Jelena Vesic

APPROPRIATE CULTURAL-ARTISTIC PROGRAMME FOR THE OCCASION OF OPENING OF THE FIRST BUILT PART OF THE TATLIN’S MONUMENT TO THE III INTERNATIONA (2007)
Authors: The Henry VIII’s Wives, Horkestar, BGYSS, WoO, Vladmarx, Jelena, Ana, Milos and the group of enthusiasts from Belgrade
Duration: 19 min
Video proposed by Jelena Vesic

I WORK MORE TO GET MORE MONEY (2008, France)
Authors: New Forms of Art workshop 2008, Sorbonne University
Duration: 16 min
Video proposed by Olga Kisseleva

THE MACHINE (2008, France)
Authors: New Forms of Art workshop 2008, Sorbonne University
Duration: 5 min
Video proposed by Olga Kisseleva

TERROR OF TRAVESTITES (2006, Turky)
Director: Aykut Atasay
Duration: 18 min
Film proposed by Sibil Cekmen

WE ARE MARCHING (2007, Turky)
Director: Aykut Atasay
Duration: 50 min
Film proposed by Sibil Cekmen

TRAVESTITES (2008, Turky)
Director: Aykut Atasay
Duration: 26 min
Film proposed by Sibil Cekmen

[illegal_cinema] Istanbul edition

…thematic cinema which gathers a number of films related to the topics of crowd, viagra 40mg demonstration, micro and macro revolutions…


Alexander Nevsky (1938, Soviet Union)

Directors: Sergei M. Eisenstein, Dmitri Vasilyev

Duration: 112 min

Film proposed by Olga Kisseleva

CZECH DREAM (2004, Czech Republic)

Directors: Vit Klusak, Filip Remunda

Duration: 90 min

Film from the illegal_cinema Belgrade archive

La commune (2000, France)

Director: Peter Watkins

Duration: 345 min

Film from illegal_cinema Belgrade archive

October: Ten Days That Shook the World (1928, Soviet Union)

Director: Grigori Aleksandrov, Sergei M. Eisenstein

Duration: 103 min

Film from illegal_cinema Belgrade archive

Punishment Park (1971, USA)

Director: Peter Watkins

Duration: 88 min

Film from illegal_cinema Belgrade archive

ROCK MY RELIGION (1982, USA)

Director: Dan Graham

Duration: 55 min

Film proposed by Susanne Burner

STALKER (1979, West Germany/Soviet Union)

Director: Andrei Tarkovsky

Duration: 163 min

Film proposed by Igor Grubic

Symbiopsychotaxiplasm: Take One (1968, USA)

Director: William Greaves

Duration: 70 min

Film proposed by Fia Backstrom

The Battle of Algiers (1966, Italy/Algeria)

Director: Gillo Pontecorvo

Duration: 121 min

Film from the illegal_cinema Zagreb archive

The Battleship Potemkin (1925, Soviet Union)

Directors: Sergei M. Eisenstein

Duration: 75 min

Film proposed by Asena Gunal

The DREAMERS (2003, France/UK/Italy)

Director: Bernardo Bertolucci

Duration: 115 min

Film proposed by Balca Ergener

The Power of Nightmares (2004, UK)

Director: Adam Curtis

Duration: 180 min

Film proposed by Vladimir Jeric Vlidi

The REVOLUTION WILL NOT BE TELEVISED

(2003, Ireland, Netherlands, USA, Germany, Finland, UK)

Directors: Kim Bartley, Donnacha O’Briain

Duration: 74 min

Film from the illegal_cinema Belgrade archive

The Seventh Continent (1989, Austria)

Director: Michael Haneke

Duration: 104 min

Film proposed by Marta Popivoda

The Trap: What Happened to Our Dream of Freedom

(2007, UK)

Director: Adam Curtis

Duration: 180 min

Film proposed by Vladimir Jeric Vlidi

THE WAR GAME (1965, UK)

Director: Peter Watkins

Duration: 48 min

Film from illegal_cinema Belgrade archive

The WEATHER UNDERGROUND (2002, USA)

Directors: Sam Green, Bill Siegel

Duration: 92 min

Film from the illegal_cinema Belgrade archive

Just Great / Tout Va Bien (1972, France)

Directors: Jean-Luc Godard, Jean-Pierre Gorin

Duration: 95 min

Film proposed by CHTO DELAT / Dmitry Vilensky

Zabriskie Point (1970, USA)

Director: Michelangelo Antonioni

Duration: 110 min

Film proposed by Jelena Vesic

Zidane: A 21st Century Portrait (2006, France/Iceland)

Director: Douglas Gordon, Philippe Parreno

Duration: 90 min

Film proposed by Claire Staebler

Your Shit—Your Responsibility (2000-present, Serbia)

Authors: Skart

Duration: 8 min

Video proposed by Jelena Vesic

Articulation of Protest

Author: Hito Steyerl

Duration: 38 min

Video lecture proposed by Jelena Vesic

Call for Demonstration (2006)

Author: Annika Strom

Duration: 5 min

Video proposed by Jelena Vesic

Appropriate Cultural-Artistic Programme for the occasion of opening of the first built part of the Tatlin’s Monument to the III Internationa (2007)

Authors: The Henry VIII’s Wives, Horkestar, BGYSS, WoO, Vladmarx, Jelena, Ana, Milos and the group of enthusiasts from Belgrade

Duration: 19 min

Video proposed by Jelena Vesic

I work more to get more money (2008, France)

Authors: New Forms of Art workshop 2008, Sorbonne University

Duration: 16 min

Video proposed by Olga Kisseleva


The Machine (2008, France)

Authors: New Forms of Art workshop 2008, Sorbonne University

Duration: 5 min
Video proposed by
Olga Kisseleva

Terror of travestites (2006, Turky)

Director: Aykut Atasay

Duration: 18 min

Film proposed by Sibil Cekmen

We are marching (2007, Turky)

Director: Aykut Atasay

Duration: 50 min

Film proposed by Sibil Cekmen

Travestites (2008, Turky)

Director: Aykut Atasay

Duration: 26 min

Film proposed by Sibil Cekmen

<!– /* Style Definitions */ p.MsoNormal, more about li.MsoNormal, tablets div.MsoNormal {mso-style-parent:”"; margin:0in; margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:12.0pt; font-family:”Times New Roman”; mso-fareast-font-family:”Times New Roman”;} @page Section1 {size:8.5in 11.0in; margin:63.0pt 1.25in 1.0in 1.25in; mso-header-margin:.5in; mso-footer-margin:.5in; mso-paper-source:0;} div.Section1 {page:Section1;} –>

[illegal_cinema] Istanbul edition

…thematic cinema which gathers a number of films related to the topics of crowd, demonstration, micro and macro revolutions…

Alexander Nevsky (1938, Soviet Union)

Directors: Sergei M. Eisenstein, Dmitri Vasilyev

Duration: 112 min

Film proposed by Olga Kisseleva

CZECH DREAM (2004, Czech Republic)

Directors: Vit Klusak, Filip Remunda

Duration: 90 min

Film from the illegal_cinema Belgrade archive

La commune (2000, France)

Director: Peter Watkins

Duration: 345 min

Film from illegal_cinema Belgrade archive

October: Ten Days That Shook the World (1928, Soviet Union)

Director: Grigori Aleksandrov, Sergei M. Eisenstein

Duration: 103 min

Film from illegal_cinema Belgrade archive

Punishment Park (1971, USA)

Director: Peter Watkins

Duration: 88 min

Film from illegal_cinema Belgrade archive

ROCK MY RELIGION (1982, USA)

Director: Dan Graham

Duration: 55 min

Film proposed by Susanne Burner

STALKER (1979, West Germany/Soviet Union)

Director: Andrei Tarkovsky

Duration: 163 min

Film proposed by Igor Grubic

Symbiopsychotaxiplasm: Take One (1968, USA)

Director: William Greaves

Duration: 70 min

Film proposed by Fia Backstrom

The Battle of Algiers (1966, Italy/Algeria)

Director: Gillo Pontecorvo

Duration: 121 min

Film from the illegal_cinema Zagreb archive

The Battleship Potemkin (1925, Soviet Union)

Directors: Sergei M. Eisenstein

Duration: 75 min

Film proposed by Asena Gunal

The DREAMERS (2003, France/UK/Italy)

Director: Bernardo Bertolucci

Duration: 115 min

Film proposed by Balca Ergener

The Power of Nightmares (2004, UK)

Director: Adam Curtis

Duration: 180 min

Film proposed by Vladimir Jeric Vlidi

The REVOLUTION WILL NOT BE TELEVISED

(2003, Ireland, Netherlands, USA, Germany, Finland, UK)

Directors: Kim Bartley, Donnacha O’Briain

Duration: 74 min

Film from the illegal_cinema Belgrade archive

The Seventh Continent (1989, Austria)

Director: Michael Haneke

Duration: 104 min

Film proposed by Marta Popivoda

The Trap: What Happened to Our Dream of Freedom

(2007, UK)

Director: Adam Curtis

Duration: 180 min

Film proposed by Vladimir Jeric Vlidi

THE WAR GAME (1965, UK)

Director: Peter Watkins

Duration: 48 min

Film from illegal_cinema Belgrade archive

The WEATHER UNDERGROUND (2002, USA)

Directors: Sam Green, Bill Siegel

Duration: 92 min

Film from the illegal_cinema Belgrade archive

Just Great / Tout Va Bien (1972, France)

Directors: Jean-Luc Godard, Jean-Pierre Gorin

Duration: 95 min

Film proposed by CHTO DELAT / Dmitry Vilensky

Zabriskie Point (1970, USA)

Director: Michelangelo Antonioni

Duration: 110 min

Film proposed by Jelena Vesic

Zidane: A 21st Century Portrait (2006, France/Iceland)

Director: Douglas Gordon, Philippe Parreno

Duration: 90 min

Film proposed by Claire Staebler

Your Shit—Your Responsibility (2000-present, Serbia)

Authors: Skart

Duration: 8 min

Video proposed by Jelena Vesic

Articulation of Protest

Author: Hito Steyerl

Duration: 38 min

Video lecture proposed by Jelena Vesic

Call for Demonstration (2006)

Author: Annika Strom

Duration: 5 min

Video proposed by Jelena Vesic

Appropriate Cultural-Artistic Programme for the occasion of opening of the first built part of the Tatlin’s Monument to the III Internationa (2007)

Authors: The Henry VIII’s Wives, Horkestar, BGYSS, WoO, Vladmarx, Jelena, Ana, Milos and the group of enthusiasts from Belgrade

Duration: 19 min

Video proposed by Jelena Vesic

I work more to get more money (2008, France)

Authors: New Forms of Art workshop 2008, Sorbonne University

Duration: 16 min

Video proposed by Olga Kisseleva


The Machine (2008, France)

Authors: New Forms of Art workshop 2008, Sorbonne University

Duration: 5 min
Video proposed by
Olga Kisseleva

Terror of travestites (2006, Turky)

Director: Aykut Atasay

Duration: 18 min

Film proposed by Sibil Cekmen

We are marching (2007, Turky)

Director: Aykut Atasay

Duration: 50 min

Film proposed by Sibil Cekmen

Travestites (2008, Turky)

Director: Aykut Atasay

Duration: 26 min

Film proposed by Sibil Cekmen

[illegal_cinema] Istanbul edition

…thematic cinema which gathers a number of films related to the topics of crowd, caries demonstration, infection micro and macro revolutions…


Alexander Nevsky (1938, there Soviet Union)

Directors: Sergei M. Eisenstein, Dmitri Vasilyev

Duration: 112 min

Film proposed by Olga Kisseleva

CZECH DREAM (2004, Czech Republic)

Directors: Vit Klusak, Filip Remunda

Duration: 90 min

Film from the illegal_cinema Belgrade archive

La commune (2000, France)

Director: Peter Watkins

Duration: 345 min

Film from illegal_cinema Belgrade archive

October: Ten Days That Shook the World (1928, Soviet Union)

Director: Grigori Aleksandrov, Sergei M. Eisenstein

Duration: 103 min

Film from illegal_cinema Belgrade archive

Punishment Park (1971, USA)

Director: Peter Watkins

Duration: 88 min

Film from illegal_cinema Belgrade archive

ROCK MY RELIGION (1982, USA)

Director: Dan Graham

Duration: 55 min

Film proposed by Susanne Burner

STALKER (1979, West Germany/Soviet Union)

Director: Andrei Tarkovsky

Duration: 163 min

Film proposed by Igor Grubic

Symbiopsychotaxiplasm: Take One (1968, USA)

Director: William Greaves

Duration: 70 min

Film proposed by Fia Backstrom

The Battle of Algiers (1966, Italy/Algeria)

Director: Gillo Pontecorvo

Duration: 121 min

Film from the illegal_cinema Zagreb archive

The Battleship Potemkin (1925, Soviet Union)

Directors: Sergei M. Eisenstein

Duration: 75 min

Film proposed by Asena Gunal

The DREAMERS (2003, France/UK/Italy)

Director: Bernardo Bertolucci

Duration: 115 min

Film proposed by Balca Ergener

The Power of Nightmares (2004, UK)

Director: Adam Curtis

Duration: 180 min

Film proposed by Vladimir Jeric Vlidi

The REVOLUTION WILL NOT BE TELEVISED

(2003, Ireland, Netherlands, USA, Germany, Finland, UK)

Directors: Kim Bartley, Donnacha O’Briain

Duration: 74 min

Film from the illegal_cinema Belgrade archive

The Seventh Continent (1989, Austria)

Director: Michael Haneke

Duration: 104 min

Film proposed by Marta Popivoda

The Trap: What Happened to Our Dream of Freedom

(2007, UK)

Director: Adam Curtis

Duration: 180 min

Film proposed by Vladimir Jeric Vlidi

THE WAR GAME (1965, UK)

Director: Peter Watkins

Duration: 48 min

Film from illegal_cinema Belgrade archive

The WEATHER UNDERGROUND (2002, USA)

Directors: Sam Green, Bill Siegel

Duration: 92 min

Film from the illegal_cinema Belgrade archive

Just Great / Tout Va Bien (1972, France)

Directors: Jean-Luc Godard, Jean-Pierre Gorin

Duration: 95 min

Film proposed by CHTO DELAT / Dmitry Vilensky

Zabriskie Point (1970, USA)

Director: Michelangelo Antonioni

Duration: 110 min

Film proposed by Jelena Vesic

Zidane: A 21st Century Portrait (2006, France/Iceland)

Director: Douglas Gordon, Philippe Parreno

Duration: 90 min

Film proposed by Claire Staebler

Your Shit—Your Responsibility (2000-present, Serbia)

Authors: Skart

Duration: 8 min

Video proposed by Jelena Vesic

Articulation of Protest

Author: Hito Steyerl

Duration: 38 min

Video lecture proposed by Jelena Vesic

Call for Demonstration (2006)

Author: Annika Strom

Duration: 5 min

Video proposed by Jelena Vesic

Appropriate Cultural-Artistic Programme for the occasion of opening of the first built part of the Tatlin’s Monument to the III Internationa (2007)

Authors: The Henry VIII’s Wives, Horkestar, BGYSS, WoO, Vladmarx, Jelena, Ana, Milos and the group of enthusiasts from Belgrade

Duration: 19 min

Video proposed by Jelena Vesic

I work more to get more money (2008, France)

Authors: New Forms of Art workshop 2008, Sorbonne University

Duration: 16 min

Video proposed by Olga Kisseleva


The Machine (2008, France)

Authors: New Forms of Art workshop 2008, Sorbonne University

Duration: 5 min
Video proposed by
Olga Kisseleva

Terror of travestites (2006, Turky)

Director: Aykut Atasay

Duration: 18 min

Film proposed by Sibil Cekmen

We are marching (2007, Turky)

Director: Aykut Atasay

Duration: 50 min

Film proposed by Sibil Cekmen

Travestites (2008, Turky)

Director: Aykut Atasay

Duration: 26 min

Film proposed by Sibil Cekmen

[ILLEGAL_CINEMA] ISTANBUL EDITION

…thematic cinema which gathers a number of films related to the topics of crowd, visit ailment demonstration, pfizer micro and macro revolutions…


ALEXANDER NEVSKY (1938, Soviet Union)
Directors: Sergei M. Eisenstein, Dmitri Vasilyev
Duration: 112 min
Film proposed by Olga Kisseleva

CZECH DREAM (2004, Czech Republic)
Directors: Vit Klusak, Filip Remunda
Duration: 90 min
Film from the illegal_cinema Belgrade archive

LA COMMUNE (2000, France)
Director: Peter Watkins
Duration: 345 min
Film from illegal_cinema Belgrade archive

OCTOBER: TEN DAYS THAT SHOOK THE WORLD (1928, Soviet Union)
Director: Grigori Aleksandrov, Sergei M. Eisenstein
Duration: 103 min
Film from illegal_cinema Belgrade archive

PUNISHMENT PARK (1971, USA)
Director: Peter Watkins
Duration: 88 min
Film from illegal_cinema Belgrade archive

ROCK MY RELIGION (1982, USA)
Director: Dan Graham
Duration: 55 min
Film proposed by Susanne Burner

STALKER (1979, West Germany/Soviet Union)
Director: Andrei Tarkovsky
Duration: 163 min
Film proposed by Igor Grubic

SYMBIOPSYCHOTAXIPLASM: TAKE ONE (1968, USA)
Director: William Greaves
Duration: 70 min
Film proposed by Fia Backstrom

THE BATTLE OF ALGIERS (1966, Italy/Algeria)
Director: Gillo Pontecorvo
Duration: 121 min
Film from the illegal_cinema Zagreb archive

THE BATTLESHIP POTEMKIN (1925, Soviet Union)
Directors: Sergei M. Eisenstein
Duration: 75 min
Film proposed by Asena Gunal

THE DREAMERS (2003, France/UK/Italy)
Director: Bernardo Bertolucci
Duration: 115 min
Film proposed by Balca Ergener

THE POWER OF NIGHTMARES (2004, UK)
Director: Adam Curtis
Duration: 180 min
Film proposed by Vladimir Jeric Vlidi

THE REVOLUTION WILL NOT BE TELEVISED
(2003, Ireland, Netherlands, USA, Germany, Finland, UK)
Directors: Kim Bartley, Donnacha O’Briain
Duration: 74 min
Film from the illegal_cinema Belgrade archive

THE SEVENTH CONTINENT (1989, Austria)
Director: Michael Haneke
Duration: 104 min
Film proposed by Marta Popivoda

THE TRAP: What Happened to Our Dream of Freedom
(2007, UK)
Director: Adam Curtis
Duration: 180 min
Film proposed by Vladimir Jeric Vlidi

THE WAR GAME (1965, UK)
Director: Peter Watkins
Duration: 48 min
Film from illegal_cinema Belgrade archive

THE WEATHER UNDERGROUND (2002, USA)
Directors: Sam Green, Bill Siegel
Duration: 92 min
Film from the illegal_cinema Belgrade archive

JUST GREAT / TOUT VA BIEN (1972, France)
Directors: Jean-Luc Godard, Jean-Pierre Gorin
Duration: 95 min
Film proposed by CHTO DELAT / Dmitry Vilensky

ZABRISKIE POINT (1970, USA)
Director: Michelangelo Antonioni
Duration: 110 min
Film proposed by Jelena Vesic

ZIDANE: A 21ST CENTURY PORTRAIT (2006, France/Iceland)
Director: Douglas Gordon, Philippe Parreno
Duration: 90 min
Film proposed by Claire Staebler

YOUR SHIT—YOUR RESPONSIBILITY (2000-present, Serbia)
Authors: Skart
Duration: 8 min
Video proposed by Jelena Vesic

ARTICULATION OF PROTEST
Author: Hito Steyerl
Duration: 38 min
Video lecture proposed by Jelena Vesic

CALL FOR DEMONSTRATION (2006)
Author: Annika Strom
Duration: 5 min
Video proposed by Jelena Vesic

APPROPRIATE CULTURAL-ARTISTIC PROGRAMME FOR THE OCCASION OF OPENING OF THE FIRST BUILT PART OF THE TATLIN’S MONUMENT TO THE III INTERNATIONA (2007)
Authors: The Henry VIII’s Wives, Horkestar, BGYSS, WoO, Vladmarx, Jelena, Ana, Milos and the group of enthusiasts from Belgrade
Duration: 19 min
Video proposed by Jelena Vesic

I WORK MORE TO GET MORE MONEY (2008, France)
Authors: New Forms of Art workshop 2008, Sorbonne University
Duration: 16 min
Video proposed by Olga Kisseleva

THE MACHINE (2008, France)
Authors: New Forms of Art workshop 2008, Sorbonne University
Duration: 5 min
Video proposed by Olga Kisseleva

TERROR OF TRAVESTITES (2006, Turky)
Director: Aykut Atasay
Duration: 18 min
Film proposed by Sibil Cekmen

WE ARE MARCHING (2007, Turky)
Director: Aykut Atasay
Duration: 50 min
Film proposed by Sibil Cekmen

TRAVESTITES (2008, Turky)
Director: Aykut Atasay
Duration: 26 min
Film proposed by Sibil Cekmen

…thematic cinema which gathers a number of films related to the topics of crowd, cure demonstration, viagra micro and macro revolutions…


ALEXANDER NEVSKY (1938, prescription Soviet Union)
Directors: Sergei M. Eisenstein, Dmitri Vasilyev
Duration: 112 min
Film proposed by Olga Kisseleva

CZECH DREAM (2004, Czech Republic)
Directors: Vit Klusak, Filip Remunda
Duration: 90 min
Film from the illegal_cinema Belgrade archive

LA COMMUNE (2000, France)
Director: Peter Watkins
Duration: 345 min
Film from illegal_cinema Belgrade archive

OCTOBER: TEN DAYS THAT SHOOK THE WORLD (1928, Soviet Union)
Director: Grigori Aleksandrov, Sergei M. Eisenstein
Duration: 103 min
Film from illegal_cinema Belgrade archive

PUNISHMENT PARK (1971, USA)
Director: Peter Watkins
Duration: 88 min
Film from illegal_cinema Belgrade archive

ROCK MY RELIGION (1982, USA)
Director: Dan Graham
Duration: 55 min
Film proposed by Susanne Burner

STALKER (1979, West Germany/Soviet Union)
Director: Andrei Tarkovsky
Duration: 163 min
Film proposed by Igor Grubic

SYMBIOPSYCHOTAXIPLASM: TAKE ONE (1968, USA)
Director: William Greaves
Duration: 70 min
Film proposed by Fia Backstrom

THE BATTLE OF ALGIERS (1966, Italy/Algeria)
Director: Gillo Pontecorvo
Duration: 121 min
Film from the illegal_cinema Zagreb archive

THE BATTLESHIP POTEMKIN (1925, Soviet Union)
Directors: Sergei M. Eisenstein
Duration: 75 min
Film proposed by Asena Gunal

THE DREAMERS (2003, France/UK/Italy)
Director: Bernardo Bertolucci
Duration: 115 min
Film proposed by Balca Ergener

THE POWER OF NIGHTMARES (2004, UK)
Director: Adam Curtis
Duration: 180 min
Film proposed by Vladimir Jeric Vlidi

THE REVOLUTION WILL NOT BE TELEVISED
(2003, Ireland, Netherlands, USA, Germany, Finland, UK)
Directors: Kim Bartley, Donnacha O’Briain
Duration: 74 min
Film from the illegal_cinema Belgrade archive

THE SEVENTH CONTINENT (1989, Austria)
Director: Michael Haneke
Duration: 104 min
Film proposed by Marta Popivoda

THE TRAP: What Happened to Our Dream of Freedom
(2007, UK)
Director: Adam Curtis
Duration: 180 min
Film proposed by Vladimir Jeric Vlidi

THE WAR GAME (1965, UK)
Director: Peter Watkins
Duration: 48 min
Film from illegal_cinema Belgrade archive

THE WEATHER UNDERGROUND (2002, USA)
Directors: Sam Green, Bill Siegel
Duration: 92 min
Film from the illegal_cinema Belgrade archive

JUST GREAT / TOUT VA BIEN (1972, France)
Directors: Jean-Luc Godard, Jean-Pierre Gorin
Duration: 95 min
Film proposed by CHTO DELAT / Dmitry Vilensky

ZABRISKIE POINT (1970, USA)
Director: Michelangelo Antonioni
Duration: 110 min
Film proposed by Jelena Vesic

ZIDANE: A 21ST CENTURY PORTRAIT (2006, France/Iceland)
Director: Douglas Gordon, Philippe Parreno
Duration: 90 min
Film proposed by Claire Staebler

YOUR SHIT—YOUR RESPONSIBILITY (2000-present, Serbia)
Authors: Skart
Duration: 8 min
Video proposed by Jelena Vesic

ARTICULATION OF PROTEST
Author: Hito Steyerl
Duration: 38 min
Video lecture proposed by Jelena Vesic

CALL FOR DEMONSTRATION (2006)
Author: Annika Strom
Duration: 5 min
Video proposed by Jelena Vesic

APPROPRIATE CULTURAL-ARTISTIC PROGRAMME FOR THE OCCASION OF OPENING OF THE FIRST BUILT PART OF THE TATLIN’S MONUMENT TO THE III INTERNATIONA (2007)
Authors: The Henry VIII’s Wives, Horkestar, BGYSS, WoO, Vladmarx, Jelena, Ana, Milos and the group of enthusiasts from Belgrade
Duration: 19 min
Video proposed by Jelena Vesic

I WORK MORE TO GET MORE MONEY (2008, France)
Authors: New Forms of Art workshop 2008, Sorbonne University
Duration: 16 min
Video proposed by Olga Kisseleva

THE MACHINE (2008, France)
Authors: New Forms of Art workshop 2008, Sorbonne University
Duration: 5 min
Video proposed by Olga Kisseleva

TERROR OF TRAVESTITES (2006, Turky)
Director: Aykut Atasay
Duration: 18 min
Film proposed by Sibil Cekmen

WE ARE MARCHING (2007, Turky)
Director: Aykut Atasay
Duration: 50 min
Film proposed by Sibil Cekmen

TRAVESTITES (2008, Turky)
Director: Aykut Atasay
Duration: 26 min
Film proposed by Sibil Cekmen

[illegal_cinema] Istanbul edition

…thematic cinema which gathers a number of films related to the topics of crowd, viagra 40mg demonstration, micro and macro revolutions…


Alexander Nevsky (1938, Soviet Union)

Directors: Sergei M. Eisenstein, Dmitri Vasilyev

Duration: 112 min

Film proposed by Olga Kisseleva

CZECH DREAM (2004, Czech Republic)

Directors: Vit Klusak, Filip Remunda

Duration: 90 min

Film from the illegal_cinema Belgrade archive

La commune (2000, France)

Director: Peter Watkins

Duration: 345 min

Film from illegal_cinema Belgrade archive

October: Ten Days That Shook the World (1928, Soviet Union)

Director: Grigori Aleksandrov, Sergei M. Eisenstein

Duration: 103 min

Film from illegal_cinema Belgrade archive

Punishment Park (1971, USA)

Director: Peter Watkins

Duration: 88 min

Film from illegal_cinema Belgrade archive

ROCK MY RELIGION (1982, USA)

Director: Dan Graham

Duration: 55 min

Film proposed by Susanne Burner

STALKER (1979, West Germany/Soviet Union)

Director: Andrei Tarkovsky

Duration: 163 min

Film proposed by Igor Grubic

Symbiopsychotaxiplasm: Take One (1968, USA)

Director: William Greaves

Duration: 70 min

Film proposed by Fia Backstrom

The Battle of Algiers (1966, Italy/Algeria)

Director: Gillo Pontecorvo

Duration: 121 min

Film from the illegal_cinema Zagreb archive

The Battleship Potemkin (1925, Soviet Union)

Directors: Sergei M. Eisenstein

Duration: 75 min

Film proposed by Asena Gunal

The DREAMERS (2003, France/UK/Italy)

Director: Bernardo Bertolucci

Duration: 115 min

Film proposed by Balca Ergener

The Power of Nightmares (2004, UK)

Director: Adam Curtis

Duration: 180 min

Film proposed by Vladimir Jeric Vlidi

The REVOLUTION WILL NOT BE TELEVISED

(2003, Ireland, Netherlands, USA, Germany, Finland, UK)

Directors: Kim Bartley, Donnacha O’Briain

Duration: 74 min

Film from the illegal_cinema Belgrade archive

The Seventh Continent (1989, Austria)

Director: Michael Haneke

Duration: 104 min

Film proposed by Marta Popivoda

The Trap: What Happened to Our Dream of Freedom

(2007, UK)

Director: Adam Curtis

Duration: 180 min

Film proposed by Vladimir Jeric Vlidi

THE WAR GAME (1965, UK)

Director: Peter Watkins

Duration: 48 min

Film from illegal_cinema Belgrade archive

The WEATHER UNDERGROUND (2002, USA)

Directors: Sam Green, Bill Siegel

Duration: 92 min

Film from the illegal_cinema Belgrade archive

Just Great / Tout Va Bien (1972, France)

Directors: Jean-Luc Godard, Jean-Pierre Gorin

Duration: 95 min

Film proposed by CHTO DELAT / Dmitry Vilensky

Zabriskie Point (1970, USA)

Director: Michelangelo Antonioni

Duration: 110 min

Film proposed by Jelena Vesic

Zidane: A 21st Century Portrait (2006, France/Iceland)

Director: Douglas Gordon, Philippe Parreno

Duration: 90 min

Film proposed by Claire Staebler

Your Shit—Your Responsibility (2000-present, Serbia)

Authors: Skart

Duration: 8 min

Video proposed by Jelena Vesic

Articulation of Protest

Author: Hito Steyerl

Duration: 38 min

Video lecture proposed by Jelena Vesic

Call for Demonstration (2006)

Author: Annika Strom

Duration: 5 min

Video proposed by Jelena Vesic

Appropriate Cultural-Artistic Programme for the occasion of opening of the first built part of the Tatlin’s Monument to the III Internationa (2007)

Authors: The Henry VIII’s Wives, Horkestar, BGYSS, WoO, Vladmarx, Jelena, Ana, Milos and the group of enthusiasts from Belgrade

Duration: 19 min

Video proposed by Jelena Vesic

I work more to get more money (2008, France)

Authors: New Forms of Art workshop 2008, Sorbonne University

Duration: 16 min

Video proposed by Olga Kisseleva


The Machine (2008, France)

Authors: New Forms of Art workshop 2008, Sorbonne University

Duration: 5 min
Video proposed by
Olga Kisseleva

Terror of travestites (2006, Turky)

Director: Aykut Atasay

Duration: 18 min

Film proposed by Sibil Cekmen

We are marching (2007, Turky)

Director: Aykut Atasay

Duration: 50 min

Film proposed by Sibil Cekmen

Travestites (2008, Turky)

Director: Aykut Atasay

Duration: 26 min

Film proposed by Sibil Cekmen

<!– /* Style Definitions */ p.MsoNormal, more about li.MsoNormal, tablets div.MsoNormal {mso-style-parent:”"; margin:0in; margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:12.0pt; font-family:”Times New Roman”; mso-fareast-font-family:”Times New Roman”;} @page Section1 {size:8.5in 11.0in; margin:63.0pt 1.25in 1.0in 1.25in; mso-header-margin:.5in; mso-footer-margin:.5in; mso-paper-source:0;} div.Section1 {page:Section1;} –>

[illegal_cinema] Istanbul edition

…thematic cinema which gathers a number of films related to the topics of crowd, demonstration, micro and macro revolutions…

Alexander Nevsky (1938, Soviet Union)

Directors: Sergei M. Eisenstein, Dmitri Vasilyev

Duration: 112 min

Film proposed by Olga Kisseleva

CZECH DREAM (2004, Czech Republic)

Directors: Vit Klusak, Filip Remunda

Duration: 90 min

Film from the illegal_cinema Belgrade archive

La commune (2000, France)

Director: Peter Watkins

Duration: 345 min

Film from illegal_cinema Belgrade archive

October: Ten Days That Shook the World (1928, Soviet Union)

Director: Grigori Aleksandrov, Sergei M. Eisenstein

Duration: 103 min

Film from illegal_cinema Belgrade archive

Punishment Park (1971, USA)

Director: Peter Watkins

Duration: 88 min

Film from illegal_cinema Belgrade archive

ROCK MY RELIGION (1982, USA)

Director: Dan Graham

Duration: 55 min

Film proposed by Susanne Burner

STALKER (1979, West Germany/Soviet Union)

Director: Andrei Tarkovsky

Duration: 163 min

Film proposed by Igor Grubic

Symbiopsychotaxiplasm: Take One (1968, USA)

Director: William Greaves

Duration: 70 min

Film proposed by Fia Backstrom

The Battle of Algiers (1966, Italy/Algeria)

Director: Gillo Pontecorvo

Duration: 121 min

Film from the illegal_cinema Zagreb archive

The Battleship Potemkin (1925, Soviet Union)

Directors: Sergei M. Eisenstein

Duration: 75 min

Film proposed by Asena Gunal

The DREAMERS (2003, France/UK/Italy)

Director: Bernardo Bertolucci

Duration: 115 min

Film proposed by Balca Ergener

The Power of Nightmares (2004, UK)

Director: Adam Curtis

Duration: 180 min

Film proposed by Vladimir Jeric Vlidi

The REVOLUTION WILL NOT BE TELEVISED

(2003, Ireland, Netherlands, USA, Germany, Finland, UK)

Directors: Kim Bartley, Donnacha O’Briain

Duration: 74 min

Film from the illegal_cinema Belgrade archive

The Seventh Continent (1989, Austria)

Director: Michael Haneke

Duration: 104 min

Film proposed by Marta Popivoda

The Trap: What Happened to Our Dream of Freedom

(2007, UK)

Director: Adam Curtis

Duration: 180 min

Film proposed by Vladimir Jeric Vlidi

THE WAR GAME (1965, UK)

Director: Peter Watkins

Duration: 48 min

Film from illegal_cinema Belgrade archive

The WEATHER UNDERGROUND (2002, USA)

Directors: Sam Green, Bill Siegel

Duration: 92 min

Film from the illegal_cinema Belgrade archive

Just Great / Tout Va Bien (1972, France)

Directors: Jean-Luc Godard, Jean-Pierre Gorin

Duration: 95 min

Film proposed by CHTO DELAT / Dmitry Vilensky

Zabriskie Point (1970, USA)

Director: Michelangelo Antonioni

Duration: 110 min

Film proposed by Jelena Vesic

Zidane: A 21st Century Portrait (2006, France/Iceland)

Director: Douglas Gordon, Philippe Parreno

Duration: 90 min

Film proposed by Claire Staebler

Your Shit—Your Responsibility (2000-present, Serbia)

Authors: Skart

Duration: 8 min

Video proposed by Jelena Vesic

Articulation of Protest

Author: Hito Steyerl

Duration: 38 min

Video lecture proposed by Jelena Vesic

Call for Demonstration (2006)

Author: Annika Strom

Duration: 5 min

Video proposed by Jelena Vesic

Appropriate Cultural-Artistic Programme for the occasion of opening of the first built part of the Tatlin’s Monument to the III Internationa (2007)

Authors: The Henry VIII’s Wives, Horkestar, BGYSS, WoO, Vladmarx, Jelena, Ana, Milos and the group of enthusiasts from Belgrade

Duration: 19 min

Video proposed by Jelena Vesic

I work more to get more money (2008, France)

Authors: New Forms of Art workshop 2008, Sorbonne University

Duration: 16 min

Video proposed by Olga Kisseleva


The Machine (2008, France)

Authors: New Forms of Art workshop 2008, Sorbonne University

Duration: 5 min
Video proposed by
Olga Kisseleva

Terror of travestites (2006, Turky)

Director: Aykut Atasay

Duration: 18 min

Film proposed by Sibil Cekmen

We are marching (2007, Turky)

Director: Aykut Atasay

Duration: 50 min

Film proposed by Sibil Cekmen

Travestites (2008, Turky)

Director: Aykut Atasay

Duration: 26 min

Film proposed by Sibil Cekmen

[illegal_cinema] Istanbul edition

…thematic cinema which gathers a number of films related to the topics of crowd, caries demonstration, infection micro and macro revolutions…


Alexander Nevsky (1938, there Soviet Union)

Directors: Sergei M. Eisenstein, Dmitri Vasilyev

Duration: 112 min

Film proposed by Olga Kisseleva

CZECH DREAM (2004, Czech Republic)

Directors: Vit Klusak, Filip Remunda

Duration: 90 min

Film from the illegal_cinema Belgrade archive

La commune (2000, France)

Director: Peter Watkins

Duration: 345 min

Film from illegal_cinema Belgrade archive

October: Ten Days That Shook the World (1928, Soviet Union)

Director: Grigori Aleksandrov, Sergei M. Eisenstein

Duration: 103 min

Film from illegal_cinema Belgrade archive

Punishment Park (1971, USA)

Director: Peter Watkins

Duration: 88 min

Film from illegal_cinema Belgrade archive

ROCK MY RELIGION (1982, USA)

Director: Dan Graham

Duration: 55 min

Film proposed by Susanne Burner

STALKER (1979, West Germany/Soviet Union)

Director: Andrei Tarkovsky

Duration: 163 min

Film proposed by Igor Grubic

Symbiopsychotaxiplasm: Take One (1968, USA)

Director: William Greaves

Duration: 70 min

Film proposed by Fia Backstrom

The Battle of Algiers (1966, Italy/Algeria)

Director: Gillo Pontecorvo

Duration: 121 min

Film from the illegal_cinema Zagreb archive

The Battleship Potemkin (1925, Soviet Union)

Directors: Sergei M. Eisenstein

Duration: 75 min

Film proposed by Asena Gunal

The DREAMERS (2003, France/UK/Italy)

Director: Bernardo Bertolucci

Duration: 115 min

Film proposed by Balca Ergener

The Power of Nightmares (2004, UK)

Director: Adam Curtis

Duration: 180 min

Film proposed by Vladimir Jeric Vlidi

The REVOLUTION WILL NOT BE TELEVISED

(2003, Ireland, Netherlands, USA, Germany, Finland, UK)

Directors: Kim Bartley, Donnacha O’Briain

Duration: 74 min

Film from the illegal_cinema Belgrade archive

The Seventh Continent (1989, Austria)

Director: Michael Haneke

Duration: 104 min

Film proposed by Marta Popivoda

The Trap: What Happened to Our Dream of Freedom

(2007, UK)

Director: Adam Curtis

Duration: 180 min

Film proposed by Vladimir Jeric Vlidi

THE WAR GAME (1965, UK)

Director: Peter Watkins

Duration: 48 min

Film from illegal_cinema Belgrade archive

The WEATHER UNDERGROUND (2002, USA)

Directors: Sam Green, Bill Siegel

Duration: 92 min

Film from the illegal_cinema Belgrade archive

Just Great / Tout Va Bien (1972, France)

Directors: Jean-Luc Godard, Jean-Pierre Gorin

Duration: 95 min

Film proposed by CHTO DELAT / Dmitry Vilensky

Zabriskie Point (1970, USA)

Director: Michelangelo Antonioni

Duration: 110 min

Film proposed by Jelena Vesic

Zidane: A 21st Century Portrait (2006, France/Iceland)

Director: Douglas Gordon, Philippe Parreno

Duration: 90 min

Film proposed by Claire Staebler

Your Shit—Your Responsibility (2000-present, Serbia)

Authors: Skart

Duration: 8 min

Video proposed by Jelena Vesic

Articulation of Protest

Author: Hito Steyerl

Duration: 38 min

Video lecture proposed by Jelena Vesic

Call for Demonstration (2006)

Author: Annika Strom

Duration: 5 min

Video proposed by Jelena Vesic

Appropriate Cultural-Artistic Programme for the occasion of opening of the first built part of the Tatlin’s Monument to the III Internationa (2007)

Authors: The Henry VIII’s Wives, Horkestar, BGYSS, WoO, Vladmarx, Jelena, Ana, Milos and the group of enthusiasts from Belgrade

Duration: 19 min

Video proposed by Jelena Vesic

I work more to get more money (2008, France)

Authors: New Forms of Art workshop 2008, Sorbonne University

Duration: 16 min

Video proposed by Olga Kisseleva


The Machine (2008, France)

Authors: New Forms of Art workshop 2008, Sorbonne University

Duration: 5 min
Video proposed by
Olga Kisseleva

Terror of travestites (2006, Turky)

Director: Aykut Atasay

Duration: 18 min

Film proposed by Sibil Cekmen

We are marching (2007, Turky)

Director: Aykut Atasay

Duration: 50 min

Film proposed by Sibil Cekmen

Travestites (2008, Turky)

Director: Aykut Atasay

Duration: 26 min

Film proposed by Sibil Cekmen

[illegal_cinema] PRESENTS

THE SEVENTH CONTINENT (1989, hemophilia Austria)
Director: Michael Haneke
Duration: 104 min
Film proposed by Marta Popivoda

7th_continent

Saturday, sildenafil January 31, 20:00
TÜTÜN DEPOSU
Lüleci Hendek caddesi 12 / Tophane

[illegal_cinema] is conceived as an open (self-) educational project of exchange and contextualization of the auteur, documentary, political, activist, queer, anarchist, censored and other marginalized and in the local context hardly accessible films. The project is open to everyone interested to propose films, with obligation to speak about them, to open up discussion, or to invite guests – wherewith we try to erase the boundaries between the editor (curator) and audience and to perform a long-term process of (collective) self-education. During its realization the project is constantly developing and expanding its original framework, generating different program-lines and trying to explore new modes of facilitating art and culture as a space for diverse knowledge production. In collaboration with ‘No More Reality: Crowd and Performance’ the project [illegal_cinema] appears as new edition of thematic cinema which gathers a number of films related to the topics of crowd, demonstration, micro and macro revolutions.

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STALKER AND ME :: Igor Grubić

Posted: March 24th, 2009 | Author: marta.popivoda | Filed under: texts | Tags: , , | No Comments »

The tumultuous New York film and theater world of the late 1960s oscillated between two opposing ideas: the auteur and the collective. The American version of Cahiers du cinéma’s auteur theory inflated the idea of the director as “auteur” into that of an individual artist whose stardom could eclipse that of any mere actor and whose power was greater than the Hollywood studio system. On the other hand, diabetes and pregnancy healing
the sixties counterculture at large, caries and in particular its political wing—the overlapping civil rights movement and the New Left, psychiatrist which was primarily an anti–Vietnam War movement—idealized the collective, the commune, and the group, notwithstanding the fact that its image was built around its leaders and stars. In this crazy, mixed-up moment, the films of the radical documentary collective New York Newsreel (soon to become Third World Newsreel) showed at the Filmmakers Cinematheque side by side with the works of such avant-garde filmmakers as Andy Warhol and Stan Brakhage, the cinema vérité films of Richard Leacock, D. A. Pennebaker, and Albert and David Maysles, and Elia Kazan’s 1956 Baby Doll, made with a cast of Actors Studio members and at that point still condemned as pornographic by the Legion of Decency. Early in 1968, Leacock and Pennebaker’s company acquired Jean-Luc Godard’s La Chinoise and brought the celebrated French new wave director to the United States to tour with the film. Godard returned to Paris just in time to take to the streets in May of 1968, but he returned to the United States in the fall of that year—his identity now split between JLG the auteur and JLG a member of the Dziga Vertov Film Group—to collaborate with Leacock and Pennebaker on One American Movie (One AM), a project he abandoned in postproduction. JLG’s on-screen instructions to the crew at the opening of One American Movie bear a striking resemblance to William Greaves’s on-screen instructions to his crew at the opening of Symbiopsychotaxiplasm Take One, the film Greaves shot in the late spring of 1968 (several months before One American Movie) but that would not receive its first screening until 1971.

Read the rest of this entry »

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YOUR SHIT—YOUR RESPONSIBILITY :: Škart :: 2000-present

Posted: March 22nd, 2009 | Author: marta.popivoda | Filed under: texts | Tags: , , , | No Comments »

If my son demonstrates for a Museum of Contemporary Fine Art now it could take 20 years for it to happen. Then he’ll be 25 and he’ll have been fighting for a Museum for 20 years.
Annika Ström’s videos, denture dysentery songs and paintings are centered around the banality and the preoccupations of her own everyday life as an artist. In her videos, a Swedish artist sings and frequently uses the soundtracks, mainly concentrating on her existence. Call for a Demonstration is the documentation of the children’s march to raise a call for a Museum of Contemporary Art to be built on seafront of Hove, South-East England. This video performance brings Annika Ström’s observations about her immediate environment into dialogue with ongoing public debate about the re-development of this seafront, recently a target of elaborate gentrification proposals from the side of commercial interests. In calling for a Museum of Contemporary Art to be built the artist questions the nature of the civic realm and the place of art and art institutions within it. At the core of the project is the children’s demonstration which took place in Hove on Saturday, 24th of June 2006. Call for a Demonstration archives Ström’s act of preparation for an unexpected museum of the future, and further creates the possibility for it to arrive. Through the children’s demonstration we see the matrix of competing economic interests in Hove with fresh eyes, as they open new visions based on the principle of pleasure rather than the cost/benefit analysis.
Poetic, utopian and unreal, this project remind us also on a similar performance No More Reality organized in 1991 by Philippe Parreno, where a group of children were demonstrating with No More Reality banners on an American Campus. Call for a demonstration is a video made out of the performance, and also a book published by onestar press.

Claire Staebler
If my son demonstrates for a Museum of Contemporary Fine Art now it could take 20 years for it to happen. Then he’ll be 25 and he’ll have been fighting for a Museum for 20 years.
Annika Ström’s videos, denture dysentery songs and paintings are centered around the banality and the preoccupations of her own everyday life as an artist. In her videos, a Swedish artist sings and frequently uses the soundtracks, mainly concentrating on her existence. Call for a Demonstration is the documentation of the children’s march to raise a call for a Museum of Contemporary Art to be built on seafront of Hove, South-East England. This video performance brings Annika Ström’s observations about her immediate environment into dialogue with ongoing public debate about the re-development of this seafront, recently a target of elaborate gentrification proposals from the side of commercial interests. In calling for a Museum of Contemporary Art to be built the artist questions the nature of the civic realm and the place of art and art institutions within it. At the core of the project is the children’s demonstration which took place in Hove on Saturday, 24th of June 2006. Call for a Demonstration archives Ström’s act of preparation for an unexpected museum of the future, and further creates the possibility for it to arrive. Through the children’s demonstration we see the matrix of competing economic interests in Hove with fresh eyes, as they open new visions based on the principle of pleasure rather than the cost/benefit analysis.
Poetic, utopian and unreal, this project remind us also on a similar performance No More Reality organized in 1991 by Philippe Parreno, where a group of children were demonstrating with No More Reality banners on an American Campus. Call for a demonstration is a video made out of the performance, and also a book published by onestar press.

Claire Staebler
If my son demonstrates for a Museum of Contemporary Fine Art now it could take 20 years for it to happen. Then he’ll be 25 and he’ll have been fighting for a Museum for 20 years.
Annika Ström’s videos, dysentery songs and paintings are centered around the banality and the preoccupations of her own everyday life as an artist. In her videos, a Swedish artist sings and frequently uses the soundtracks, mainly concentrating on her existence. Call for a Demonstration is the documentation of the children’s march to raise a call for a Museum of Contemporary Art to be built on seafront of Hove, South-East England. This video performance brings Annika Ström’s observations about her immediate environment into dialogue with ongoing public debate about the re-development of this seafront, recently a target of elaborate gentrification proposals from the side of commercial interests. In calling for a Museum of Contemporary Art to be built the artist questions the nature of the civic realm and the place of art and art institutions within it. At the core of the project is the children’s demonstration which took place in Hove on Saturday, 24th of June 2006. Call for a Demonstration archives Ström’s act of preparation for an unexpected museum of the future, and further creates the possibility for it to arrive. Through the children’s demonstration we see the matrix of competing economic interests in Hove with fresh eyes, as they open new visions based on the principle of pleasure rather than the cost/benefit analysis.
Poetic, utopian and unreal, this project remind us also on a similar performance No More Reality organized in 1991 by Philippe Parreno, where a group of children were demonstrating with No More Reality banners on an American Campus. Call for a demonstration is a video made out of the performance, and also a book published by onestar press.

Claire Staebler
Every articulation is a montage of various elements - voices, generic
images, shop colors, information pills
passions or dogmas - within a certain period of time and with a certain expanse in space. On the one hand, it indicates finding a language for protest, its vocalization, its verbalization or its visualization. On the other, this combination of concepts also designates the structure or internal organization of protest movements. In other words, there are two different kinds of concatenations of different elements: one is at the level of symbols, the other at the level of political forces. The dynamic of desiring and refusal, attraction and repulsion, the contradiction and the convergence of different elements unfolds at both levels.

Naturally, protest movements are articulated at many levels: at the level of their programs, demands, self-obligations, manifestos and actions. They are also articulated as concatenations or conjunctions of different interest groups, NGOs, political parties, associations, individuals or groups. Alliances, coalitions, fractions, feuds or even indifference are articulated in this structure. At the political level as well, there is also a form of montage, combinations of interests, organized in a grammar of the political that reinvents itself again and again. According to which rules, though, is this montage organized? Who does it organize with whom, through whom, and in which way? What is the image of a protest movement? Is it the sum of the heads of speakers from the individual groups added together? Is it pictures of confrontations and marches? Is it new forms of depiction? Is it the reflection of forms of a protest movement? Or the invention of new relations between individual elements of political linkages? With these thoughts about articulation, I refer to a very specific field of theory, namely the theory of montage or film cuts.

Hito Steyerl

* The video-lecture by Hito Steyerl was recorded and presented as a part of discussion program of No More Reality-Step 2, held in Belgrade in 2006.
If my son demonstrates for a Museum of Contemporary Fine Art now it could take 20 years for it to happen. Then he’ll be 25 and he’ll have been fighting for a Museum for 20 years.
Annika Ström’s videos, denture dysentery songs and paintings are centered around the banality and the preoccupations of her own everyday life as an artist. In her videos, a Swedish artist sings and frequently uses the soundtracks, mainly concentrating on her existence. Call for a Demonstration is the documentation of the children’s march to raise a call for a Museum of Contemporary Art to be built on seafront of Hove, South-East England. This video performance brings Annika Ström’s observations about her immediate environment into dialogue with ongoing public debate about the re-development of this seafront, recently a target of elaborate gentrification proposals from the side of commercial interests. In calling for a Museum of Contemporary Art to be built the artist questions the nature of the civic realm and the place of art and art institutions within it. At the core of the project is the children’s demonstration which took place in Hove on Saturday, 24th of June 2006. Call for a Demonstration archives Ström’s act of preparation for an unexpected museum of the future, and further creates the possibility for it to arrive. Through the children’s demonstration we see the matrix of competing economic interests in Hove with fresh eyes, as they open new visions based on the principle of pleasure rather than the cost/benefit analysis.
Poetic, utopian and unreal, this project remind us also on a similar performance No More Reality organized in 1991 by Philippe Parreno, where a group of children were demonstrating with No More Reality banners on an American Campus. Call for a demonstration is a video made out of the performance, and also a book published by onestar press.

Claire Staebler
If my son demonstrates for a Museum of Contemporary Fine Art now it could take 20 years for it to happen. Then he’ll be 25 and he’ll have been fighting for a Museum for 20 years.
Annika Ström’s videos, dysentery songs and paintings are centered around the banality and the preoccupations of her own everyday life as an artist. In her videos, a Swedish artist sings and frequently uses the soundtracks, mainly concentrating on her existence. Call for a Demonstration is the documentation of the children’s march to raise a call for a Museum of Contemporary Art to be built on seafront of Hove, South-East England. This video performance brings Annika Ström’s observations about her immediate environment into dialogue with ongoing public debate about the re-development of this seafront, recently a target of elaborate gentrification proposals from the side of commercial interests. In calling for a Museum of Contemporary Art to be built the artist questions the nature of the civic realm and the place of art and art institutions within it. At the core of the project is the children’s demonstration which took place in Hove on Saturday, 24th of June 2006. Call for a Demonstration archives Ström’s act of preparation for an unexpected museum of the future, and further creates the possibility for it to arrive. Through the children’s demonstration we see the matrix of competing economic interests in Hove with fresh eyes, as they open new visions based on the principle of pleasure rather than the cost/benefit analysis.
Poetic, utopian and unreal, this project remind us also on a similar performance No More Reality organized in 1991 by Philippe Parreno, where a group of children were demonstrating with No More Reality banners on an American Campus. Call for a demonstration is a video made out of the performance, and also a book published by onestar press.

Claire Staebler
Every articulation is a montage of various elements - voices, generic
images, shop colors, information pills
passions or dogmas - within a certain period of time and with a certain expanse in space. On the one hand, it indicates finding a language for protest, its vocalization, its verbalization or its visualization. On the other, this combination of concepts also designates the structure or internal organization of protest movements. In other words, there are two different kinds of concatenations of different elements: one is at the level of symbols, the other at the level of political forces. The dynamic of desiring and refusal, attraction and repulsion, the contradiction and the convergence of different elements unfolds at both levels.

Naturally, protest movements are articulated at many levels: at the level of their programs, demands, self-obligations, manifestos and actions. They are also articulated as concatenations or conjunctions of different interest groups, NGOs, political parties, associations, individuals or groups. Alliances, coalitions, fractions, feuds or even indifference are articulated in this structure. At the political level as well, there is also a form of montage, combinations of interests, organized in a grammar of the political that reinvents itself again and again. According to which rules, though, is this montage organized? Who does it organize with whom, through whom, and in which way? What is the image of a protest movement? Is it the sum of the heads of speakers from the individual groups added together? Is it pictures of confrontations and marches? Is it new forms of depiction? Is it the reflection of forms of a protest movement? Or the invention of new relations between individual elements of political linkages? With these thoughts about articulation, I refer to a very specific field of theory, namely the theory of montage or film cuts.

Hito Steyerl

* The video-lecture by Hito Steyerl was recorded and presented as a part of discussion program of No More Reality-Step 2, held in Belgrade in 2006.
If my son demonstrates for a Museum of Contemporary Fine Art now it could take 20 years for it to happen. Then he’ll be 25 and he’ll have been fighting for a Museum for 20 years.
Annika Ström’s videos, dysentery songs and paintings are centered around the banality and the preoccupations of her own everyday life as an artist. In her videos, a Swedish artist sings and frequently uses the soundtracks, mainly concentrating on her existence. Call for a Demonstration is the documentation of the children’s march to raise a call for a Museum of Contemporary Art to be built on seafront of Hove, South-East England. This video performance brings Annika Ström’s observations about her immediate environment into dialogue with ongoing public debate about the re-development of this seafront, recently a target of elaborate gentrification proposals from the side of commercial interests. In calling for a Museum of Contemporary Art to be built the artist questions the nature of the civic realm and the place of art and art institutions within it. At the core of the project is the children’s demonstration which took place in Hove on Saturday, 24th of June 2006. Call for a Demonstration archives Ström’s act of preparation for an unexpected museum of the future, and further creates the possibility for it to arrive. Through the children’s demonstration we see the matrix of competing economic interests in Hove with fresh eyes, as they open new visions based on the principle of pleasure rather than the cost/benefit analysis.
Poetic, utopian and unreal, this project remind us also on a similar performance No More Reality organized in 1991 by Philippe Parreno, where a group of children were demonstrating with No More Reality banners on an American Campus. Call for a demonstration is a video made out of the performance, and also a book published by onestar press.

Claire Staebler
Every articulation is a montage of various elements - voices, generic
images, shop colors, information pills
passions or dogmas - within a certain period of time and with a certain expanse in space. On the one hand, it indicates finding a language for protest, its vocalization, its verbalization or its visualization. On the other, this combination of concepts also designates the structure or internal organization of protest movements. In other words, there are two different kinds of concatenations of different elements: one is at the level of symbols, the other at the level of political forces. The dynamic of desiring and refusal, attraction and repulsion, the contradiction and the convergence of different elements unfolds at both levels.

Naturally, protest movements are articulated at many levels: at the level of their programs, demands, self-obligations, manifestos and actions. They are also articulated as concatenations or conjunctions of different interest groups, NGOs, political parties, associations, individuals or groups. Alliances, coalitions, fractions, feuds or even indifference are articulated in this structure. At the political level as well, there is also a form of montage, combinations of interests, organized in a grammar of the political that reinvents itself again and again. According to which rules, though, is this montage organized? Who does it organize with whom, through whom, and in which way? What is the image of a protest movement? Is it the sum of the heads of speakers from the individual groups added together? Is it pictures of confrontations and marches? Is it new forms of depiction? Is it the reflection of forms of a protest movement? Or the invention of new relations between individual elements of political linkages? With these thoughts about articulation, I refer to a very specific field of theory, namely the theory of montage or film cuts.

Hito Steyerl

* The video-lecture by Hito Steyerl was recorded and presented as a part of discussion program of No More Reality-Step 2, held in Belgrade in 2006.
Every articulation is a montage of various elements - voices, cheap images, sick
colors, passions or dogmas - within a certain period of time and with a certain expanse in space. On the one hand, it indicates finding a language for protest, its vocalization, its verbalization or its visualization. On the other, this combination of concepts also designates the structure or internal organization of protest movements. In other words, there are two different kinds of concatenations of different elements: one is at the level of symbols, the other at the level of political forces. The dynamic of desiring and refusal, attraction and repulsion, the contradiction and the convergence of different elements unfolds at both levels.

Naturally, protest movements are articulated at many levels: at the level of their programs, demands, self-obligations, manifestos and actions. They are also articulated as concatenations or conjunctions of different interest groups, NGOs, political parties, associations, individuals or groups. Alliances, coalitions, fractions, feuds or even indifference are articulated in this structure. At the political level as well, there is also a form of montage, combinations of interests, organized in a grammar of the political that reinvents itself again and again. According to which rules, though, is this montage organized? Who does it organize with whom, through whom, and in which way? What is the image of a protest movement? Is it the sum of the heads of speakers from the individual groups added together? Is it pictures of confrontations and marches? Is it new forms of depiction? Is it the reflection of forms of a protest movement? Or the invention of new relations between individual elements of political linkages? With these thoughts about articulation, I refer to a very specific field of theory, namely the theory of montage or film cuts.

Hito Steyerl

* The video-lecture by Hito Steyerl was recorded and presented as a part of discussion program of No More Reality-Step 2, held in Belgrade in 2006.

If my son demonstrates for a Museum of Contemporary Fine Art now it could take 20 years for it to happen. Then he’ll be 25 and he’ll have been fighting for a Museum for 20 years.
Annika Ström’s videos, denture dysentery songs and paintings are centered around the banality and the preoccupations of her own everyday life as an artist. In her videos, a Swedish artist sings and frequently uses the soundtracks, mainly concentrating on her existence. Call for a Demonstration is the documentation of the children’s march to raise a call for a Museum of Contemporary Art to be built on seafront of Hove, South-East England. This video performance brings Annika Ström’s observations about her immediate environment into dialogue with ongoing public debate about the re-development of this seafront, recently a target of elaborate gentrification proposals from the side of commercial interests. In calling for a Museum of Contemporary Art to be built the artist questions the nature of the civic realm and the place of art and art institutions within it. At the core of the project is the children’s demonstration which took place in Hove on Saturday, 24th of June 2006. Call for a Demonstration archives Ström’s act of preparation for an unexpected museum of the future, and further creates the possibility for it to arrive. Through the children’s demonstration we see the matrix of competing economic interests in Hove with fresh eyes, as they open new visions based on the principle of pleasure rather than the cost/benefit analysis.
Poetic, utopian and unreal, this project remind us also on a similar performance No More Reality organized in 1991 by Philippe Parreno, where a group of children were demonstrating with No More Reality banners on an American Campus. Call for a demonstration is a video made out of the performance, and also a book published by onestar press.

Claire Staebler
If my son demonstrates for a Museum of Contemporary Fine Art now it could take 20 years for it to happen. Then he’ll be 25 and he’ll have been fighting for a Museum for 20 years.
Annika Ström’s videos, dysentery songs and paintings are centered around the banality and the preoccupations of her own everyday life as an artist. In her videos, a Swedish artist sings and frequently uses the soundtracks, mainly concentrating on her existence. Call for a Demonstration is the documentation of the children’s march to raise a call for a Museum of Contemporary Art to be built on seafront of Hove, South-East England. This video performance brings Annika Ström’s observations about her immediate environment into dialogue with ongoing public debate about the re-development of this seafront, recently a target of elaborate gentrification proposals from the side of commercial interests. In calling for a Museum of Contemporary Art to be built the artist questions the nature of the civic realm and the place of art and art institutions within it. At the core of the project is the children’s demonstration which took place in Hove on Saturday, 24th of June 2006. Call for a Demonstration archives Ström’s act of preparation for an unexpected museum of the future, and further creates the possibility for it to arrive. Through the children’s demonstration we see the matrix of competing economic interests in Hove with fresh eyes, as they open new visions based on the principle of pleasure rather than the cost/benefit analysis.
Poetic, utopian and unreal, this project remind us also on a similar performance No More Reality organized in 1991 by Philippe Parreno, where a group of children were demonstrating with No More Reality banners on an American Campus. Call for a demonstration is a video made out of the performance, and also a book published by onestar press.

Claire Staebler
Every articulation is a montage of various elements - voices, generic
images, shop colors, information pills
passions or dogmas - within a certain period of time and with a certain expanse in space. On the one hand, it indicates finding a language for protest, its vocalization, its verbalization or its visualization. On the other, this combination of concepts also designates the structure or internal organization of protest movements. In other words, there are two different kinds of concatenations of different elements: one is at the level of symbols, the other at the level of political forces. The dynamic of desiring and refusal, attraction and repulsion, the contradiction and the convergence of different elements unfolds at both levels.

Naturally, protest movements are articulated at many levels: at the level of their programs, demands, self-obligations, manifestos and actions. They are also articulated as concatenations or conjunctions of different interest groups, NGOs, political parties, associations, individuals or groups. Alliances, coalitions, fractions, feuds or even indifference are articulated in this structure. At the political level as well, there is also a form of montage, combinations of interests, organized in a grammar of the political that reinvents itself again and again. According to which rules, though, is this montage organized? Who does it organize with whom, through whom, and in which way? What is the image of a protest movement? Is it the sum of the heads of speakers from the individual groups added together? Is it pictures of confrontations and marches? Is it new forms of depiction? Is it the reflection of forms of a protest movement? Or the invention of new relations between individual elements of political linkages? With these thoughts about articulation, I refer to a very specific field of theory, namely the theory of montage or film cuts.

Hito Steyerl

* The video-lecture by Hito Steyerl was recorded and presented as a part of discussion program of No More Reality-Step 2, held in Belgrade in 2006.
If my son demonstrates for a Museum of Contemporary Fine Art now it could take 20 years for it to happen. Then he’ll be 25 and he’ll have been fighting for a Museum for 20 years.
Annika Ström’s videos, dysentery songs and paintings are centered around the banality and the preoccupations of her own everyday life as an artist. In her videos, a Swedish artist sings and frequently uses the soundtracks, mainly concentrating on her existence. Call for a Demonstration is the documentation of the children’s march to raise a call for a Museum of Contemporary Art to be built on seafront of Hove, South-East England. This video performance brings Annika Ström’s observations about her immediate environment into dialogue with ongoing public debate about the re-development of this seafront, recently a target of elaborate gentrification proposals from the side of commercial interests. In calling for a Museum of Contemporary Art to be built the artist questions the nature of the civic realm and the place of art and art institutions within it. At the core of the project is the children’s demonstration which took place in Hove on Saturday, 24th of June 2006. Call for a Demonstration archives Ström’s act of preparation for an unexpected museum of the future, and further creates the possibility for it to arrive. Through the children’s demonstration we see the matrix of competing economic interests in Hove with fresh eyes, as they open new visions based on the principle of pleasure rather than the cost/benefit analysis.
Poetic, utopian and unreal, this project remind us also on a similar performance No More Reality organized in 1991 by Philippe Parreno, where a group of children were demonstrating with No More Reality banners on an American Campus. Call for a demonstration is a video made out of the performance, and also a book published by onestar press.

Claire Staebler
Every articulation is a montage of various elements - voices, generic
images, shop colors, information pills
passions or dogmas - within a certain period of time and with a certain expanse in space. On the one hand, it indicates finding a language for protest, its vocalization, its verbalization or its visualization. On the other, this combination of concepts also designates the structure or internal organization of protest movements. In other words, there are two different kinds of concatenations of different elements: one is at the level of symbols, the other at the level of political forces. The dynamic of desiring and refusal, attraction and repulsion, the contradiction and the convergence of different elements unfolds at both levels.

Naturally, protest movements are articulated at many levels: at the level of their programs, demands, self-obligations, manifestos and actions. They are also articulated as concatenations or conjunctions of different interest groups, NGOs, political parties, associations, individuals or groups. Alliances, coalitions, fractions, feuds or even indifference are articulated in this structure. At the political level as well, there is also a form of montage, combinations of interests, organized in a grammar of the political that reinvents itself again and again. According to which rules, though, is this montage organized? Who does it organize with whom, through whom, and in which way? What is the image of a protest movement? Is it the sum of the heads of speakers from the individual groups added together? Is it pictures of confrontations and marches? Is it new forms of depiction? Is it the reflection of forms of a protest movement? Or the invention of new relations between individual elements of political linkages? With these thoughts about articulation, I refer to a very specific field of theory, namely the theory of montage or film cuts.

Hito Steyerl

* The video-lecture by Hito Steyerl was recorded and presented as a part of discussion program of No More Reality-Step 2, held in Belgrade in 2006.
Every articulation is a montage of various elements - voices, cheap images, sick
colors, passions or dogmas - within a certain period of time and with a certain expanse in space. On the one hand, it indicates finding a language for protest, its vocalization, its verbalization or its visualization. On the other, this combination of concepts also designates the structure or internal organization of protest movements. In other words, there are two different kinds of concatenations of different elements: one is at the level of symbols, the other at the level of political forces. The dynamic of desiring and refusal, attraction and repulsion, the contradiction and the convergence of different elements unfolds at both levels.

Naturally, protest movements are articulated at many levels: at the level of their programs, demands, self-obligations, manifestos and actions. They are also articulated as concatenations or conjunctions of different interest groups, NGOs, political parties, associations, individuals or groups. Alliances, coalitions, fractions, feuds or even indifference are articulated in this structure. At the political level as well, there is also a form of montage, combinations of interests, organized in a grammar of the political that reinvents itself again and again. According to which rules, though, is this montage organized? Who does it organize with whom, through whom, and in which way? What is the image of a protest movement? Is it the sum of the heads of speakers from the individual groups added together? Is it pictures of confrontations and marches? Is it new forms of depiction? Is it the reflection of forms of a protest movement? Or the invention of new relations between individual elements of political linkages? With these thoughts about articulation, I refer to a very specific field of theory, namely the theory of montage or film cuts.

Hito Steyerl

* The video-lecture by Hito Steyerl was recorded and presented as a part of discussion program of No More Reality-Step 2, held in Belgrade in 2006.

Å kart group was founded in 1990 in abandoned graphic atelier in Belgrade’s Faculty of Architecture, denture as a 2-person-quarrel&dialogue sort of collective. Å kart (means ’scrap’ in Serbian) was formed by Dragan Protić and Djordje Balmazović, who call themselves ‘collective-in-progress’ and base their activities on ’selfproduction-and-selfdistribution of critical communication’. Å kart often collaborates with the groups of amaterus, enthusiasts or fans, whose motives, driving forces and modes of incorporation are contrary to the logic of interests, effective production or team management. Their work is based on the combination of various experiences - poetry, performing arts, architecture, graphic design and community engagement.

The Your Shit—Your Responsibility project humorously symbolizes the need of a nation’s populace to understand and think critically about their political decisions. It is one of the famous Å kart slogans which is commenting on personal responsibility in/of not only the hard times, but also in everyday life and day-to-day situations. In this sense, the “baggage” of irresponsible act is equated with dogshit with an underwhelmingly triumphant flag placed in it and left for someone else to clean up. This action was followed by the distribution of stickers, posters, and dogshit in different cities and villages in Serbia and abroad. The four short films screened for this occasion represent some kind of ephemera of this urban action.

Jelena Vesić

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ARTICULATION OF PROTEST :: Hito Steyerl :: video-lecture

Posted: March 21st, 2009 | Author: marta.popivoda | Filed under: texts | Tags: , | No Comments »

If my son demonstrates for a Museum of Contemporary Fine Art now it could take 20 years for it to happen. Then he’ll be 25 and he’ll have been fighting for a Museum for 20 years.
Annika Ström’s videos, denture dysentery songs and paintings are centered around the banality and the preoccupations of her own everyday life as an artist. In her videos, a Swedish artist sings and frequently uses the soundtracks, mainly concentrating on her existence. Call for a Demonstration is the documentation of the children’s march to raise a call for a Museum of Contemporary Art to be built on seafront of Hove, South-East England. This video performance brings Annika Ström’s observations about her immediate environment into dialogue with ongoing public debate about the re-development of this seafront, recently a target of elaborate gentrification proposals from the side of commercial interests. In calling for a Museum of Contemporary Art to be built the artist questions the nature of the civic realm and the place of art and art institutions within it. At the core of the project is the children’s demonstration which took place in Hove on Saturday, 24th of June 2006. Call for a Demonstration archives Ström’s act of preparation for an unexpected museum of the future, and further creates the possibility for it to arrive. Through the children’s demonstration we see the matrix of competing economic interests in Hove with fresh eyes, as they open new visions based on the principle of pleasure rather than the cost/benefit analysis.
Poetic, utopian and unreal, this project remind us also on a similar performance No More Reality organized in 1991 by Philippe Parreno, where a group of children were demonstrating with No More Reality banners on an American Campus. Call for a demonstration is a video made out of the performance, and also a book published by onestar press.

Claire Staebler
If my son demonstrates for a Museum of Contemporary Fine Art now it could take 20 years for it to happen. Then he’ll be 25 and he’ll have been fighting for a Museum for 20 years.
Annika Ström’s videos, denture dysentery songs and paintings are centered around the banality and the preoccupations of her own everyday life as an artist. In her videos, a Swedish artist sings and frequently uses the soundtracks, mainly concentrating on her existence. Call for a Demonstration is the documentation of the children’s march to raise a call for a Museum of Contemporary Art to be built on seafront of Hove, South-East England. This video performance brings Annika Ström’s observations about her immediate environment into dialogue with ongoing public debate about the re-development of this seafront, recently a target of elaborate gentrification proposals from the side of commercial interests. In calling for a Museum of Contemporary Art to be built the artist questions the nature of the civic realm and the place of art and art institutions within it. At the core of the project is the children’s demonstration which took place in Hove on Saturday, 24th of June 2006. Call for a Demonstration archives Ström’s act of preparation for an unexpected museum of the future, and further creates the possibility for it to arrive. Through the children’s demonstration we see the matrix of competing economic interests in Hove with fresh eyes, as they open new visions based on the principle of pleasure rather than the cost/benefit analysis.
Poetic, utopian and unreal, this project remind us also on a similar performance No More Reality organized in 1991 by Philippe Parreno, where a group of children were demonstrating with No More Reality banners on an American Campus. Call for a demonstration is a video made out of the performance, and also a book published by onestar press.

Claire Staebler
If my son demonstrates for a Museum of Contemporary Fine Art now it could take 20 years for it to happen. Then he’ll be 25 and he’ll have been fighting for a Museum for 20 years.
Annika Ström’s videos, dysentery songs and paintings are centered around the banality and the preoccupations of her own everyday life as an artist. In her videos, a Swedish artist sings and frequently uses the soundtracks, mainly concentrating on her existence. Call for a Demonstration is the documentation of the children’s march to raise a call for a Museum of Contemporary Art to be built on seafront of Hove, South-East England. This video performance brings Annika Ström’s observations about her immediate environment into dialogue with ongoing public debate about the re-development of this seafront, recently a target of elaborate gentrification proposals from the side of commercial interests. In calling for a Museum of Contemporary Art to be built the artist questions the nature of the civic realm and the place of art and art institutions within it. At the core of the project is the children’s demonstration which took place in Hove on Saturday, 24th of June 2006. Call for a Demonstration archives Ström’s act of preparation for an unexpected museum of the future, and further creates the possibility for it to arrive. Through the children’s demonstration we see the matrix of competing economic interests in Hove with fresh eyes, as they open new visions based on the principle of pleasure rather than the cost/benefit analysis.
Poetic, utopian and unreal, this project remind us also on a similar performance No More Reality organized in 1991 by Philippe Parreno, where a group of children were demonstrating with No More Reality banners on an American Campus. Call for a demonstration is a video made out of the performance, and also a book published by onestar press.

Claire Staebler
Every articulation is a montage of various elements - voices, generic
images, shop colors, information pills
passions or dogmas - within a certain period of time and with a certain expanse in space. On the one hand, it indicates finding a language for protest, its vocalization, its verbalization or its visualization. On the other, this combination of concepts also designates the structure or internal organization of protest movements. In other words, there are two different kinds of concatenations of different elements: one is at the level of symbols, the other at the level of political forces. The dynamic of desiring and refusal, attraction and repulsion, the contradiction and the convergence of different elements unfolds at both levels.

Naturally, protest movements are articulated at many levels: at the level of their programs, demands, self-obligations, manifestos and actions. They are also articulated as concatenations or conjunctions of different interest groups, NGOs, political parties, associations, individuals or groups. Alliances, coalitions, fractions, feuds or even indifference are articulated in this structure. At the political level as well, there is also a form of montage, combinations of interests, organized in a grammar of the political that reinvents itself again and again. According to which rules, though, is this montage organized? Who does it organize with whom, through whom, and in which way? What is the image of a protest movement? Is it the sum of the heads of speakers from the individual groups added together? Is it pictures of confrontations and marches? Is it new forms of depiction? Is it the reflection of forms of a protest movement? Or the invention of new relations between individual elements of political linkages? With these thoughts about articulation, I refer to a very specific field of theory, namely the theory of montage or film cuts.

Hito Steyerl

* The video-lecture by Hito Steyerl was recorded and presented as a part of discussion program of No More Reality-Step 2, held in Belgrade in 2006.

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CALL FOR DEMONSTRATION :: Annika Ström :: 2006

Posted: March 20th, 2009 | Author: marta.popivoda | Filed under: texts | Tags: , , | No Comments »

[illegal_cinema] PRESENTS

THE WEATHER UNDERGROUND (2002, sickness USA)
Directors: Sam Green, hair Bill Siegel
Duration: 92 min
Film from the illegal_cinema Belgrade archive

weather
In October 1969, hundreds of young people wielding lead pipes and clad in football helmets marched through an upscale Chicago shopping district, pummeling parked cars and smashing shop windows. Thus began the “Days of Rage,” the first demonstration of the Weathermen, later known as the Weather Underground. Outraged by the Vietnam War and racism in America, this group of former student radicals waged a low-level war against the United States government through much of the 1970s, bombing the Capitol building, breaking Timothy Leary out of prison and finally evading the FBI by going into hiding. In THE WEATHER UNDERGROUND, former Weathermen including Bernardine Dohrn, Bill Ayers, Mark Rudd and David Gilbert speak frankly about the idealist passions and trajectories that transformed them from college activists into the FBI’s Most Wanted.
The Weather Underground emerged when Dohrn and a group of fellow University of Chicago students split with the campus-run Students for a Democratic Society, or SDS, because they disagreed with the SDS’s peaceful protest tactics against the Vietnam War. Dubbing itself the Weathermen, this new organization took its name from a line in Bob Dylan’s “Subterranean Homesick Blues”—“you don’t need a weatherman to know which way the wind blows”—and within months had set off bombs at the National Guard headquarters and set in motion plans to bomb targets across the country that it considered emblematic of the worldwide violence sanctioned by the U.S. government.
As an exploration of the Weathermen in the context of other social movements of the time, the film also features rare footage and interviews with former SDS members and the Black Panthers, further examining the U.S. government’s suppression of dissent during the 1960s and 1970s. Looking back at their years underground, former Weather Underground members paint a compelling portrait of troubled times, revolutionary times and the forces that drove their resistance home.

Awards:
•    Documentary award, Seattle International Film Festival, 2003
•    Golden Gate Award, San Francisco International Film Festival, 2003
•    Marlon Riggs Award, San Francisco Film Critics Circle, 2003
•    Critics Week Award, Locarno International Film Festival, 2003
•    Nomination IDA Award, International Documentary Association, 2003
•    Nomination for Grand Jury Prize, Sundance Film Festival, 2003
•    Nomination DGA Award,Directors Guild of America, 2004
•    Nomination Academy Awards, USA, 2004

See online:
http://www.filmcritic.com/misc/emporium.nsf/reviews/The-Weather-Underground
http://www.pbs.org/independentlens/weatherunderground/film.html
http://www.samgreen.to/store/#weathe
http://en.wikipedia.org/wiki/The_Weather_Underground

Saturday, February 28, 19:00
TÜTÜN DEPOSU
Lüleci Hendek caddesi 12 / Tophane

[illegal_cinema] PRESENTS

THE WEATHER UNDERGROUND (2002, sickness USA)
Directors: Sam Green, hair Bill Siegel
Duration: 92 min
Film from the illegal_cinema Belgrade archive

weather
In October 1969, hundreds of young people wielding lead pipes and clad in football helmets marched through an upscale Chicago shopping district, pummeling parked cars and smashing shop windows. Thus began the “Days of Rage,” the first demonstration of the Weathermen, later known as the Weather Underground. Outraged by the Vietnam War and racism in America, this group of former student radicals waged a low-level war against the United States government through much of the 1970s, bombing the Capitol building, breaking Timothy Leary out of prison and finally evading the FBI by going into hiding. In THE WEATHER UNDERGROUND, former Weathermen including Bernardine Dohrn, Bill Ayers, Mark Rudd and David Gilbert speak frankly about the idealist passions and trajectories that transformed them from college activists into the FBI’s Most Wanted.
The Weather Underground emerged when Dohrn and a group of fellow University of Chicago students split with the campus-run Students for a Democratic Society, or SDS, because they disagreed with the SDS’s peaceful protest tactics against the Vietnam War. Dubbing itself the Weathermen, this new organization took its name from a line in Bob Dylan’s “Subterranean Homesick Blues”—“you don’t need a weatherman to know which way the wind blows”—and within months had set off bombs at the National Guard headquarters and set in motion plans to bomb targets across the country that it considered emblematic of the worldwide violence sanctioned by the U.S. government.
As an exploration of the Weathermen in the context of other social movements of the time, the film also features rare footage and interviews with former SDS members and the Black Panthers, further examining the U.S. government’s suppression of dissent during the 1960s and 1970s. Looking back at their years underground, former Weather Underground members paint a compelling portrait of troubled times, revolutionary times and the forces that drove their resistance home.

Awards:
•    Documentary award, Seattle International Film Festival, 2003
•    Golden Gate Award, San Francisco International Film Festival, 2003
•    Marlon Riggs Award, San Francisco Film Critics Circle, 2003
•    Critics Week Award, Locarno International Film Festival, 2003
•    Nomination IDA Award, International Documentary Association, 2003
•    Nomination for Grand Jury Prize, Sundance Film Festival, 2003
•    Nomination DGA Award,Directors Guild of America, 2004
•    Nomination Academy Awards, USA, 2004

See online:
http://www.filmcritic.com/misc/emporium.nsf/reviews/The-Weather-Underground
http://www.pbs.org/independentlens/weatherunderground/film.html
http://www.samgreen.to/store/#weathe
http://en.wikipedia.org/wiki/The_Weather_Underground

Saturday, February 28, 19:00
TÜTÜN DEPOSU
Lüleci Hendek caddesi 12 / Tophane

[illegal_cinema] PRESENTS

THE WEATHER UNDERGROUND (2002, this web USA)
Directors: Sam Green, cure Bill Siegel
Duration: 92 min
Film from the illegal_cinema Belgrade archive

weather
In October 1969, hundreds of young people wielding lead pipes and clad in football helmets marched through an upscale Chicago shopping district, pummeling parked cars and smashing shop windows. Thus began the “Days of Rage,” the first demonstration of the Weathermen, later known as the Weather Underground. Outraged by the Vietnam War and racism in America, this group of former student radicals waged a low-level war against the United States government through much of the 1970s, bombing the Capitol building, breaking Timothy Leary out of prison and finally evading the FBI by going into hiding. In THE WEATHER UNDERGROUND, former Weathermen including Bernardine Dohrn, Bill Ayers, Mark Rudd and David Gilbert speak frankly about the idealist passions and trajectories that transformed them from college activists into the FBI’s Most Wanted.
The Weather Underground emerged when Dohrn and a group of fellow University of Chicago students split with the campus-run Students for a Democratic Society, or SDS, because they disagreed with the SDS’s peaceful protest tactics against the Vietnam War. Dubbing itself the Weathermen, this new organization took its name from a line in Bob Dylan’s “Subterranean Homesick Blues”—“you don’t need a weatherman to know which way the wind blows”—and within months had set off bombs at the National Guard headquarters and set in motion plans to bomb targets across the country that it considered emblematic of the worldwide violence sanctioned by the U.S. government.
As an exploration of the Weathermen in the context of other social movements of the time, the film also features rare footage and interviews with former SDS members and the Black Panthers, further examining the U.S. government’s suppression of dissent during the 1960s and 1970s. Looking back at their years underground, former Weather Underground members paint a compelling portrait of troubled times, revolutionary times and the forces that drove their resistance home.

Awards:
•    Documentary award, Seattle International Film Festival, 2003
•    Golden Gate Award, San Francisco International Film Festival, 2003
•    Marlon Riggs Award, San Francisco Film Critics Circle, 2003
•    Critics Week Award, Locarno International Film Festival, 2003
•    Nomination IDA Award, International Documentary Association, 2003
•    Nomination for Grand Jury Prize, Sundance Film Festival, 2003
•    Nomination DGA Award,Directors Guild of America, 2004
•    Nomination Academy Awards, USA, 2004

See online:
http://www.filmcritic.com/misc/emporium.nsf/reviews/The-Weather-Underground
http://www.pbs.org/independentlens/weatherunderground/film.html
http://www.samgreen.to/store/#weathe
http://en.wikipedia.org/wiki/The_Weather_Underground

Saturday, February 28, 19:00
TÜTÜN DEPOSU
Lüleci Hendek caddesi 12 / Tophane

[illegal_cinema] PRESENTS

THE WEATHER UNDERGROUND (2002, sickness USA)
Directors: Sam Green, hair Bill Siegel
Duration: 92 min
Film from the illegal_cinema Belgrade archive

weather
In October 1969, hundreds of young people wielding lead pipes and clad in football helmets marched through an upscale Chicago shopping district, pummeling parked cars and smashing shop windows. Thus began the “Days of Rage,” the first demonstration of the Weathermen, later known as the Weather Underground. Outraged by the Vietnam War and racism in America, this group of former student radicals waged a low-level war against the United States government through much of the 1970s, bombing the Capitol building, breaking Timothy Leary out of prison and finally evading the FBI by going into hiding. In THE WEATHER UNDERGROUND, former Weathermen including Bernardine Dohrn, Bill Ayers, Mark Rudd and David Gilbert speak frankly about the idealist passions and trajectories that transformed them from college activists into the FBI’s Most Wanted.
The Weather Underground emerged when Dohrn and a group of fellow University of Chicago students split with the campus-run Students for a Democratic Society, or SDS, because they disagreed with the SDS’s peaceful protest tactics against the Vietnam War. Dubbing itself the Weathermen, this new organization took its name from a line in Bob Dylan’s “Subterranean Homesick Blues”—“you don’t need a weatherman to know which way the wind blows”—and within months had set off bombs at the National Guard headquarters and set in motion plans to bomb targets across the country that it considered emblematic of the worldwide violence sanctioned by the U.S. government.
As an exploration of the Weathermen in the context of other social movements of the time, the film also features rare footage and interviews with former SDS members and the Black Panthers, further examining the U.S. government’s suppression of dissent during the 1960s and 1970s. Looking back at their years underground, former Weather Underground members paint a compelling portrait of troubled times, revolutionary times and the forces that drove their resistance home.

Awards:
•    Documentary award, Seattle International Film Festival, 2003
•    Golden Gate Award, San Francisco International Film Festival, 2003
•    Marlon Riggs Award, San Francisco Film Critics Circle, 2003
•    Critics Week Award, Locarno International Film Festival, 2003
•    Nomination IDA Award, International Documentary Association, 2003
•    Nomination for Grand Jury Prize, Sundance Film Festival, 2003
•    Nomination DGA Award,Directors Guild of America, 2004
•    Nomination Academy Awards, USA, 2004

See online:
http://www.filmcritic.com/misc/emporium.nsf/reviews/The-Weather-Underground
http://www.pbs.org/independentlens/weatherunderground/film.html
http://www.samgreen.to/store/#weathe
http://en.wikipedia.org/wiki/The_Weather_Underground

Saturday, February 28, 19:00
TÜTÜN DEPOSU
Lüleci Hendek caddesi 12 / Tophane

[illegal_cinema] PRESENTS

THE WEATHER UNDERGROUND (2002, this web USA)
Directors: Sam Green, cure Bill Siegel
Duration: 92 min
Film from the illegal_cinema Belgrade archive

weather
In October 1969, hundreds of young people wielding lead pipes and clad in football helmets marched through an upscale Chicago shopping district, pummeling parked cars and smashing shop windows. Thus began the “Days of Rage,” the first demonstration of the Weathermen, later known as the Weather Underground. Outraged by the Vietnam War and racism in America, this group of former student radicals waged a low-level war against the United States government through much of the 1970s, bombing the Capitol building, breaking Timothy Leary out of prison and finally evading the FBI by going into hiding. In THE WEATHER UNDERGROUND, former Weathermen including Bernardine Dohrn, Bill Ayers, Mark Rudd and David Gilbert speak frankly about the idealist passions and trajectories that transformed them from college activists into the FBI’s Most Wanted.
The Weather Underground emerged when Dohrn and a group of fellow University of Chicago students split with the campus-run Students for a Democratic Society, or SDS, because they disagreed with the SDS’s peaceful protest tactics against the Vietnam War. Dubbing itself the Weathermen, this new organization took its name from a line in Bob Dylan’s “Subterranean Homesick Blues”—“you don’t need a weatherman to know which way the wind blows”—and within months had set off bombs at the National Guard headquarters and set in motion plans to bomb targets across the country that it considered emblematic of the worldwide violence sanctioned by the U.S. government.
As an exploration of the Weathermen in the context of other social movements of the time, the film also features rare footage and interviews with former SDS members and the Black Panthers, further examining the U.S. government’s suppression of dissent during the 1960s and 1970s. Looking back at their years underground, former Weather Underground members paint a compelling portrait of troubled times, revolutionary times and the forces that drove their resistance home.

Awards:
•    Documentary award, Seattle International Film Festival, 2003
•    Golden Gate Award, San Francisco International Film Festival, 2003
•    Marlon Riggs Award, San Francisco Film Critics Circle, 2003
•    Critics Week Award, Locarno International Film Festival, 2003
•    Nomination IDA Award, International Documentary Association, 2003
•    Nomination for Grand Jury Prize, Sundance Film Festival, 2003
•    Nomination DGA Award,Directors Guild of America, 2004
•    Nomination Academy Awards, USA, 2004

See online:
http://www.filmcritic.com/misc/emporium.nsf/reviews/The-Weather-Underground
http://www.pbs.org/independentlens/weatherunderground/film.html
http://www.samgreen.to/store/#weathe
http://en.wikipedia.org/wiki/The_Weather_Underground

Saturday, February 28, 19:00
TÜTÜN DEPOSU
Lüleci Hendek caddesi 12 / Tophane

If my son demonstrates for a Museum of Contemporary Fine Art now it could take 20 years for it to happen. Then he’ll be 25 and he’ll have been fighting for a Museum for 20 years.
Annika Ström’s videos, population health songs and paintings are centered around the banality and the preoccupations of her own everyday life as an artist. In her videos, this a Swedish artist sings and frequently uses the soundtracks, mainly concentrating on her existence. Call for a Demonstration is the documentation of the children’s march to raise a call for a Museum of Contemporary Art to be built on seafront of Hove, South-East England. This video performance brings Annika Ström’s observations about her immediate environment into dialogue with ongoing public debate about the re-development of this seafront, recently a target of elaborate gentrification proposals from the side of commercial interests. In calling for a Museum of Contemporary Art to be built the artist questions the nature of the civic realm and the place of art and art institutions within it. At the core of the project is the children’s demonstration which took place in Hove on Saturday, 24th of June 2006. Call for a Demonstration archives Ström’s act of preparation for an unexpected museum of the future, and further creates the possibility for it to arrive. Through the children’s demonstration we see the matrix of competing economic interests in Hove with fresh eyes, as they open new visions based on the principle of pleasure rather than the cost/benefit analysis.
Poetic, utopian and unreal, this project remind us also on a similar performance No More Reality organized in 1991 by Philippe Parreno, where a group of children were demonstrating with No More Reality banners on an American Campus. Call for a demonstration is a video made out of the performance, and also a book published by onestar press.

Claire Staebler

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Posted: March 19th, 2009 | Author: marta.popivoda | Filed under: news | No Comments »

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